Author Archive: Jamie Manser

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Tesoro’s Resplendent Dazzle

March 10, 2014 |

A new self-released studio album captures the essence of the band’s live performances.

Tesoro Album CoverThe musical palate of this 11-track, self-titled album is beautifully complex while remaining completely accessible. Tesoro melds amazing instrumentation with passionate vocals that are at times bold, other times mellow, but always richly textured.  The sexy, sultry songs cull from a variety of styles with flamenco at the core.

Co-founder/guitarist Justin Fernandez says, “We’ve officially dubbed it as Latin Gypsy Pop—flamenco on steroids if you will. We also incorporate the puro flamenco influences that [lead guitarist] Brian and I have, but also bring in Latin pop and rock sounds, including funk and blues. We did include a couple tunes on the new album that are more traditional than the Tesoro classic sound. We included Malagueña, and a Bulerias (flamenco rhythm) song, named Ángel Caído. They capture the aggressive nature of flamenco guitar and the powerful rhythm that Tesoro loves so much.”

The fans love those powerful rhythms as well, as witnessed during the band’s high energy live shows. The infectious tunes compel fervent dancing by some, others may just rock back and forth in their chairs but all are moved by the music.

Between the band’s tight delivery and Venezuelan-born singer Efisio Giordanelli’s heartfelt vocals, there’s an insistence to listen. The group—which also includes lead guitarist and co-founder Brian Scott, Andrew McClarron (bass, vocals, percussion, cajon, mellotron) and Gabriel Kaiser (drums, percussion, cajon) —is comprised of professional musicians that regularly rehearse. The five bring to the table a wide-range of influences, “combining old school music and the new school that is fresh,” Fernandez explains. “Anything from Zeppelin and Sabbath, to Paco de Lucia and Gipsy Kings, to Cultura Profetica and many more. We encourage each other to constantly broaden our horizons with new music and our original music definitely reflects the broad range of influences we use to write music.”

The songwriting process is a collaborative effort, Fenandez says. “We work together with just guitar and vocals developing new ideas, and will also write new parts and arrangements as a full band. Lyrics are also collaborative, but with Efisio being the only fluent Spanish speaker and lead vocalist, he devotes an extraordinary amount of time working and reworking lyric ideas we many already have to ensure they are the best for the song, and therefore our amazing fans. The songs have been old ideas that we reworked to fit vocals, and also wrote several new songs specifically for the album. It’s been a blast of a process, the hard work and dedication to write and record an all-original album is extremely rewarding. Most of the tunes were written in 2013 as we were recording. Some were ideas from 2012 that were instrumental tunes that we rearranged to add vocals.”

This studio album adeptly captures the resplendent dazzle of Tesoro’s live vibe. The tracks were laid down, produced and mixed at Waterworks Recording by Jim Waters at the helm; Fen Ikner provided the mastering.

“We met with Jim, shared some ideas and next thing you know we were in pre-production and starting our new album,” Fernandez shares. “He’s been able to push each and every member of the band to create the best music in the studio and capture the essence of a high-energy live Tesoro performance. We’re finished and couldn’t be more proud of the outcome. An all-original album to share with the world.”

On March 15, Tesoro performed in Austin, Texas as part of the official showcases of the South by Southwest music festival, at Tap Room at The Market. The CD release party is at Club Congress, 311 E. Congress St., on Friday, March 21 with Foxtail Brigade, 8 p.m., $5. CDs are available at live shows and on the website. Visit TesoroTucson.com for more information.

Tesoro celebrates a CD release party at Club Congress on Fri., March 21.  photo: Serena Rose

Tesoro celebrates a CD release party at Club Congress on Fri., March 21.
photo: Serena Rose

Greyhound Soul’s 20 Years of Rock & Roll

February 25, 2014 |
Greyhound Soul in 1996. photo: Jeff Smith

Greyhound Soul in 1996.
photo: Jeff Smith

Two hours really isn’t enough time to comb through a band’s two decade span. But we’re trying. My back porch has become a portal to the past, with front man Joe Peña and bassist Duane Hollis regaling a couple of their long-term fans with Greyhound Soul stories.

Disclosure/backdrop: Peña and Hollis are at the Manslander abode; Dan Rylander and I met and became friends at Greyhound Soul shows in 2000. We are now married, and the band played at our reception. Dan was an unofficial roadie for years; my photos are on two of their albums. There’s a comfortable camaraderie between the four of us. We’re relaxing in the cool desert evening, and the trip down memory lane starts in Elgin, Texas, 26 miles north and east of Austin.

Peña takes us back to his grandparents’ restaurant and bar, where his dad and his dad’s musician buddies would jam all night long. It’s the late 70s, “I was like 10-11-12-13-14-years-old,” Joe says. While the kid is waiting to go home, he’s hearing the music. Some nights it was Norteño, other nights it was the blues, because “on one side of the street were all the Mexican bars and on the other side of the street were all the black bars. So at the end of the night, where do they all go? To grandpa’s bar, you know, Chicano Mexicans with their music and their accordions showing up and then the blues guys showing up from the other side of the street, they just played at Charlie Brown’s Kung Fu Inn–that was pretty much a staple in our town. Some of the best people, blues guys from back in the day–I can’t remember–but just, everyone played there, everyone was a musician.

“So a lot of people would be down there, they’d also come from Austin. They would party all night long, party like we do now. Did. Used to. We don’t party any more. Right, Duane?” Peña chuckles, Hollis nods with a sly smile, jokingly points to the Stella Artois in his hand and riffs: “I’m going for it, right now!”

The conversation meanders from Joe talking about being a break dancer when he first moved to Tucson in 1983, surprising Duane—“Really, you were a break dancer?”—to figuring out how and when the guys initially met. Joe thinks it was ’85, Duane tells him it was ’94 and everyone laughs.

Alan Anderson and Joe Peña in 2006 on the Rock the Seas cruise. photo: Jamie Manser

Alan Anderson and Joe Peña in 2006 on the Rock the Seas cruise.
photo: Jamie Manser

“I don’t really remember how it happened,” Joe leans back and looks at Duane. “I remember the band was together making the record (Freaks) and things started kind of falling apart and the drummer and the bass player had left and I saw this band,” motions to Duane, “at that place where they sell pottery now, it’s on the corner of Miracle Mile and Oracle. And you guys were playing there and we played that same night. It was a weird thing, but I was blown away. They were in a metal band (Shok Hilary) and Alan had double bass drums. And we were making the record and losing the drummer, and my buddy said, ‘I know a drummer,’ and it turned out to be Alan from Shok Hilary, and I’m like, ‘Wow, OK, let’s try it out.’ And Alan showed up and we went through some tunes with the old bassist, and then we lost him, and then it was like, ‘Hey Al, what’s going on with your band Shok Hilary?’

“All of a sudden, we found ourselves together.” Joe asks Duane, “How did that happen?”

“You called me,” Hollis deadpans.

Peña laughs and says, “So, yeah, I guess I called Duane and said,” Joe feigns a sheepish little boy voice, “‘Duane, will you play with us?’”

On another day via a Facebook chat, drummer Alan Anderson and I talk about his recollections of joining Greyhound. “It was dark out when we first met. Our practice room was converted from an old garage behind a house in Sam Hughes neighborhood. I remember getting out of my truck with my stick bag in hand when I heard someone say, ‘Alan, is that you?’ I responded, ‘Yes.’ The next words that came out of the dark were, ‘What’s up Chief!’ It was Joe. That was the beginning of a 20 year friendship. During the first practice I realized I was in the making of something special. I was hooked from the first practice and wanted to be a part of it. I thought it would be a way of stepping away from speed metal as it was on its way out. I wanted to be a multifaceted drummer. I was not going to be pigeonholed into one style.”

Joe Peña and Jason DeCorse in 2006 on the Rock the Seas cruise. photo: Jamie Manser

Joe Peña and Jason DeCorse in 2006 on the Rock the Seas cruise.
photo: Jamie Manser

There’s an emotional rawness and an intense talent for song craft—not to mention that whiskey-husky, heart wrenching blues voice—that pulls musicians and fans into Peña’s rock and roll orbit.

Guitarist Jason DeCorse was drawn in as a 22-year-old in 1995 when he saw Greyhound at The Rock, saying via phone from San Diego that, “When I saw them playing, I knew he had something I didn’t have, and I was like, ‘He’s got something I can really learn from,’ and I think he felt the same way about me and he guided me into playing and communicating with him more, in his style.” DeCorse picked up axe duty after original guitarist Larry Vance quit the band.

There’s a deep bond between the four, who can play together without set lists or a predetermination about how the songs will start or where the songs will progress and end up. Each show is unique; tempos change, chord progressions shift, even the lyrics might morph. Underneath is an unspoken, visceral communication between the band mates, through the notes, body language, a knowing grin or nod.

About live shows, DeCorse says, “It’s all like, just on the whim, you just gotta make sure you are ready for it. But that’s what’s so crazy; everything is so steeped in our heads. I don’t even have to review the songs, it’s just the way that it is, it is in your blood after awhile; you can’t forget it. That’s what I really like the most, it shows the maturity and the camaraderie, a true movement with the band, I think that’s the best thing when you don’t plan it out and you do it and you deliver. Nothing’s planned, and it happens.”

Back on the porch with Peña and Hollis, the two run through a collection of memorable shows—playing between turtle races in California, touring Europe six times and rocking Bonn’s Rockpalast, a German music television show.

“That might have been the coolest thing we did,” Hollis says. “And they hand pick people to do that thing. So many bands have played that—Led Zeppelin, The Who, Rolling Stones. We also played a festival in Hanover with Motörhead and Rose Tattoo and Steppenwolf and Steppenwolf made us get off the stage early because they wanted to get up and play,” he shrugs. “We also played the Orange Blossom Festival in Germany, it was this three day festival–Glitterhouse Records puts on–it’s like a hip to be there gig and that was a really great show.”

Great shows aside, Joe says the best times were the times spent with each other, between gigs. “We would get done with it and we’d end up with ourselves. And, the fun that we had, and us really being mad at each other or whatever, just the dynamic of being four guys that have no choice but to be together, dealing with each other’s thing. That was beauty. I remember those moments more than playing gigs.

“I don’t remember the gigs at all,” he jokes, laughing.

Through the years, the Tucson line-up would expand, contract, shift. Other players have included keyboardists Glen Corey and Bobby Hepworth, drummers Bruce Halper, Tommy Larkins and Winston Watson and guitarists Robin Johnson and Oliver Ray.

Duane Hollis, Glen Corey and Joe Peña in 2006 on the Rock the Seas cruise. photo: Jamie Manser

Duane Hollis, Glen Corey and Joe Peña in 2006 on the Rock the Seas cruise.
photo: Jamie Manser

Through it all, the core of the band has been Hollis and Peña. When asked about their recent, brief hiatus, Joe pauses for a moment, gathers his thoughts and says, “Uh, you know what? It’s like 20 years, and there’s going to be some things that happen, but always, I gotta say Duane, in the back of my mind, I just always knew and always felt like it was always just a break, it was never ever really done, like done-done. And I don’t think it’ll ever really be done-done until like one of us dies. Quite honestly, I think that, you know, we’re close in a way that, it’s, we’re brotherly or something. I don’t know what it is man.”

Duane agrees, “It’s kind of a brotherly thing, for sure. When you put some much time into it, it becomes a part of your…”

Joe exhales, and completes the sentence succinctly, “Your life.”

Greyhound Soul’s first gig was on March 11, 1994 and it celebrates the 20th Anniversary with a show at Che’s Lounge, 350 N. Fourth Ave., on March 8 with DeCorse coming in from San Diego. The music starts at 9 p.m. with St. Maybe opening. Greyhound Soul also performs on Saturday, March 22 at Sky Bar, 536 N. 4th Ave. In other band news, there are plans to record a new album. Previous releases include “Freaks” (1996), “Alma de Galgo” (2001), “Down” (2002) and “Tonight and Every Night” (2007). Find more information on Greyhound’s Facebook.com page; search YouTube.com for live shows and videos.

Joe Peña, Alan Anderson, Duane Hollis as Greyhound Soul at Dante's Fire, Feb. 21, 2014. photo: Jamie Manser

Joe Peña, Alan Anderson, Duane Hollis at Dante’s Fire, Feb. 21, 2014.
photo: Jamie Manser

Tucson’s YWCA Moves Community Upward

January 10, 2014 |

The lobby of YWCA of Tucson (YW) was festive in mid-December, with a large Christmas tree and upbeat volunteers. One offers coffee before ringing Tana Kelch to let her know: “A Jamie is here to see you.”

Kelch, the Sales & Marketing Manager and previous proprietor of Bohemia: An Artisans Emporium, comes out smiling. There’s a spring to her step as she approaches, saying there are so many things to share about the YW as the 96-year-old non-profit organization (established locally in 1917) does a lot. A LOT. And many plans are in the works.

The lobby is going to be the most immediate beneficiary of upcoming evolutions. Currently, a nook café is situated by the front door and offers a minimalist menu of select treats and beverages, with its coffee  supplied by Bisbee Coffee Roasters. While presently only a few tables and chairs are in place, “we will have seating for 20 once everything is to spec,” emails Liane Hernandez, Community Life Director/Executive Chef. “We want to create an environment where people can meet and hang out,” Kelch explains.

In the lobby space across from the café, a boutique – The Galleria Art and Gifts – will be born in early February. “We will be offering a wonderful mix of YW merchandise and small works and crafts by local artists that embrace our mission,” Kelch says.

The YW’s vision, as posted on the website, is to create “a community of change makers who are working to build a world without racism, where women are empowered and where everyone enjoys peace, justice, freedom and dignity.” The ideals are mighty and the missions lofty, but the YW seems to be pulling it off through its many programs – by way of an 11-women staff and a team of dedicated volunteers.

In addition to the café and future boutique, the YW is working on building out its kitchen in order to offer a catering program. “It’s the brainchild of Kelly (Fryer, the Executive Director),” Kelch shares. “The purpose is to become more sustainable by creating income to fund our programs.” Hernandez further explains that the organization will offer catering through its “YWorks Catering program, which is under development now and we plan on hiring our first cohort of young women in August 2014.”

A woman peruses clothing options in Your Sister's Closet. photo courtesy YWCA Tucson

A woman peruses clothing options in Your Sister’s Closet.
photo courtesy YWCA Tucson

It is pretty incredible how many programs the YW funds and several spaces in the 17,000 square foot building, located on Bonita Avenue in Downtown’s west-side Menlo Park, offer numerous stories of how the organization helps prepare women to enter, or re-enter, the work force.

As we move north of the lobby to explore Your Sister’s Closet, Kelch points out The Galleria – which features exhibits that rotate quarterly and highlights artists who connect to the YW’s missions. “The YW is incredibly lucky to be able to work with Erma Duran and Amy Zuckerman to curate our Galleria,” Hernandez says via email. “Erma is responsible to selecting the artists and pieces for each show.” On display through Jan. 15 is Amy Zuckerman’s gorgeous and heart-wrenching black and white photography. Opening on Feb. 6 is a joint exhibit of Western photography by Mia Larocque and Louise L. Serpa; the boutique’s grand opening will be held the same day.

Kelch checks in with the volunteers at Your Sister’s Closet, making sure it is a good time for a tour. The objective of Your Sister’s Closet is to provide women, who have completed the Skills for Successful Employment program, with a week’s worth of career clothing. The monthly program is a four-day intensive that includes computer training and employment skills workshops, offered for $25 – with scholarships available.

Dorothy Miller, a YW volunteer for over five years, welcomes us with a sweet, warm countenance. There are three rooms, and the first feels like a wealthy woman’s walk-in closet – with its classy wood shelves, a full-length mirror and gorgeous lighting.

“I try to treat them like princesses,” Miller says with genuine affection. “I’m their fashion coordinator; outfits complete with shoes and, of course, purses!” Miller and Kelch list a few of the clothing donors: J. Jill, Burlington Coat Factory, Twice As Nice. Arlene Oliver, another YW volunteer for over five years, chimes in: “Brighton donates a bunch, and Dillard’s.”

In the middle room, there are over ten racks of perfectly professional, stylish attire. In the back, we find the work room where, as Miller explains, “we sort though the donations. If we can’t use the donations, we give the clothing to Twice As Nice or Big Brothers/Big Sisters.”

“It is fun, we love doing it,” enthuses Oliver. “Each woman goes out with three to four outfits and we try to mix and match. We send out some very happy people.”

To date, YW has styled 26,000 women with business wear. Skills for Successful Employment offers a deeper meaning beyond work clothes and pertinent jobs skills – such as resume building, developing job search strategies and becoming proficient with computer programs – it’s about improving women’s lives and giving them the tools, and thereby the self-esteem, to succeed.

Oliver shares a poignant memory. “One gal was here trying on clothes, looked in the mirror, and tears streamed down her face. She said, ‘I’ve never seen that person.’ When they go looking for a job, they look good and feel good and get the confidence to get a job.”

Kelch and I meander to the Wolslager Foundation Learning Center, where a portion of the job skills training takes place. There we find volunteer Richard Griffith busily setting up computers. “We recently received 30 new computers, donated by (Pima County’s) One-Stop (Career Centers),” Kelch says.

“Is this the graveyard over here,” she asks Griffith, referring to a collection of computer towers along the wall. “Yes, those are beyond the hill,” Griffith replies.

In the room, which can be rented out for classes and is utilized by a volunteer group that offers GED tutoring on Saturdays, are about 15 workstations. The space also hosts the Mi Carrera Desarrollo Profesional. Griffith, a 60-year-old single father to a 6-year-old son explains that the name translates to my professional career development.

“The thing about the Y, it is in a primarily Hispanic neighborhood. This place was a bit more formal and not as friendly to the neighborhood, but that is changing,” Griffith says. “This is where it’s at!”

While the large, beautiful and fairly new building – which the organization moved into in 2007 – may not be very well-known to the general public, dedicated efforts have been underway to change that. In addition to the aforementioned offerings, the non-profit also hosts a YW Speaks speaker series in order to facilitate community conversations that encourage a more civil society. There’s also the Women’s Wellness Network and The Happy Organization for children, both of which aim to create healthy lives – mentally, emotionally and physically.

There’s a palpable energy, and it pragmatically exudes a confidence in purpose and a peace that aligns with serving a greater aspiration, which really resides with basic respect.

As YW volunteer Richard Griffith openly shares: “This is the first place in my life I’ve done work that I really love. I went through drug treatment and I’ve gone full circle. I respect this place. Respect comes from knowing it is doing a good thing, and it’s for the people.”

YWCA Tucson, located at 525 N. Bonita Ave. and YWCATucson.org, would appreciate clothing donations on Mondays, fiscal donations and volunteers always, and a wish list of supplies is detailed on the website. Visit YW’s online events calendar to see what’s coming up next. Call (520) 884-7810 with other inquiries.

The Ark & The Links – Ned Schaper’s Move

January 1, 2014 |
Ark D’Bevel

Ark D’Bevel

Stepping into the Mat Bevel Institute is entering an orbit where whimsy and physics converge and any trace of what society says should or shouldn’t be doesn’t enter, or stay for long. There’s a magical energy that defies conformity, comprised of characters built from lost-then-found objects – spinning and dancing and gyrating, showing mirth, or silly hilarity or exuberant joy. There’s a story behind them all, and a majority of the stories are deeply and philosophically profound.

The numerous personalities comprising this large body of work residing at the Institute have shipping orders, however, that were given on February 11, 2013. They must move out of their home on Stone Avenue by March 1, 2014. Their creator has them aligned in an ark, “ready to float out. It’s an ark, that’s what arks do, they float,” he states.

For the last 17 years Ned Schaper, the man behind the kinetic art, has been creating (poetry, performances, sculptures) and living in the 5,000 square foot warehouse at 530 N. Stone Ave. Before moving into the Arizona Department of Transportation owned building in 1996, which was the cutting-edge Downtown Performance Center from 1991-1995, Schaper was previously creating in a warehouse that was torn down to accommodate the courthouse complex currently under construction at Stone and Toole Avenues. Old school Tucsonans might remember that building as the Outback at one point, then as Coconuts.

“I was across the street from Steve Eye’s, and I was in there and had to get out of there, real quick–they gave me 15 days–so I went to where Skrappy’s is now. I had to go to that other warehouse so I built the stuff into the shape of an ark in the early nineties. I came up with this whole thing–the beveled ark, Ark D’Bevel, and ever since then I’ve always noticed that my places are sort of ark-like, these buildings.” We look up at the ceiling and the gorgeous, valuable wood is indeed shaped like the bottom of an ark.

Ned Schaper

Ned Schaper

Over the years, Ned’s space has served as various venues. “We had a snack bar. We did Zeitgeist Jazz–we had all these great jazz people, I had my shows, we had freak shows, the All Souls Procession used to end here. Oh my God, it would be insane, oh man, this place would be filled, not to mention the big head puppets, masses of people all around the building, masses of people outside, and, it was amazing back then. Then it was a total creators’ community. It was cheap down here and nobody wanted to be here,” Schaper recalls.

It’s true, Downtown was a dive in the 90s. It was cheap and gritty and the creative community thrived.

“Now you find yourself in this community in 2013 and now it’s: ‘How much can you pay for rent?’ And Steve Eye’s over there (at Solar Culture), and he says, ‘You should stay here, we want you here, you should be in the neighborhood.’ And they (property owners) ask how much I can pay for rent, and it’s: ‘Nothing’.” He says it with a shrug.

“I’m completely broke, I make things for nothing. All I’ve had to do is pay the rent. I’ve never had money; I’ve never been a money raiser. When you are in a money thing, it’s not about creation, it’s about rent. Everybody wants money. I have a whole ark of kinetic art, but no money, so I can’t be here. I need to be in a place where I’m not competing with bars and lawyers. I have to have money to be here, but not art.

“It’s not just here, it’s everywhere. It’s part of our society.”

Schaper states all of these points as simple facts, there’s no anger in his voice, no malice in his sky-blue eyes. Maybe it is the pragmatic mid-westerner in him, he grew up in Ohio and graduated from University of Wisconsin Madison, or maybe it’s the ‘live and let live’ peace that comes with not over-thinking things and trusting in que sera sera.

Schaper is “very seriously considering South Tucson, almost for sure. I’ve been to City Hall twice to talk to them, and I’ve never had such enthusiasm, I mean, they have no money and no buildings but, it just seems like I need to go where there’s very fertile soil where I can grow into it. The more I go down to South Tucson… you can say in one way, they’re not as infected by the modern sort of young professional thing, but, the idea there is they are in an economic situation that is much more like mine.”

There’s a down-to-earth element to Schaper’s other-worldliness. He is refreshingly not stomping his feet, he likens the situation to insect behavior. Which makes sense as his bachelor’s degree from UW Madison is in entomology.

He explains how swarm behavior works, when hives break, how they come back together and compares it to other human cultures. “What I’ve read about real community consensus is that they won’t make a decision until everyone agrees with it. But if you’ve got people in there who are ideologues and who won’t give up, you’ll never get a consensus and what you finally have to do is say, ‘Well, it looks like this is the way it’s going. Okay.’”

Schaper has known for almost a year that he would need to move, and is in no way disputing that. For him, the main issue now is finding a temporary–or permanent–dock to anchor The Ark before his Tucson Museum of Art show, “Welcome to Beveldom – Mat Bevel’s Museum Of Kinetic Art,” on exhibit Aug. 9-Oct. 5.

“I have a one-man show at the Tucson Museum of Art, so, that’s a big part of this,” he says, nodding at his sculptures. “A lot of this is going in the show, not all of it.

“My main priority now is to find a place to set The Ark up between March 1 and the TMA show in August.”

Ned is hoping for a visible space with large windows that someone would let him set up his fantastical creations in as a pre-show attraction.

Schaper, like many other artists who took advantage of cheap rents in the Arizona Department of Transportation-owned warehouses in the 80s and 90s, are betwixt a mix of decades of Downtown revitalization efforts and the Downtown Links’ transportation plans that are slowly, and steadily, coming to fruition to unite Barraza-Aviation Parkway to I-10.

There are no angels or demons here, but there are lively groups of constituents who have been active over the years to bring to the table the current, mostly solidified plan.

“We are almost at 90% design completion and have held regular CAC (citizens’ advisory committee) meetings and subcommittee meetings for the last few years and another two years to go before construction begins,” explains Tom Fisher, Downtown Links Planning Project Manager via email. “The project is fully funded and we are moving forward with the remaining property acquisitions following Federal guidelines. The issues (concerning historic preservation efforts, demolitions, underpass and overpass designs, bike and pedestrian connectivity) should be fully resolved in the next several months through ongoing design work with our CAC review.”

What most people do not realize is the intense amount of governmental planning and environmental considerations being addressed in this $85.67 million transportation project. After acquiring properties through years of consulting with constituents, city departments, Mayor and Council and the Regional Transportation Authority (who is paying $76.1 million of the tab), the next steps include extensive environmental evaluations. Let’s not forget, this land along Sixth Street abuts an over-century-old stretch of railroad activity.

Fisher further explains that “Once the properties are vacated, we will do an environmental assessment of each and remove any hazardous materials (i.e. asbestos, fuel tanks, soil contamination) and prepare a scope of work for demolition. Then we go out to bid for the demo work and site clean-up. All this can take months to complete. One of our goals is to preserve the Steinfeld and Citizen warehouses, and will continue to do so to make them successful during redevelopment efforts.”

The scope of the project is ultimately about moving people to and fro – in cars, on bikes, on feet. Fisher elucidates that the current design offers “a four-lane surface arterial roadway with street intersections, bike lanes, sidewalks, a shared-use path, deck park, native desert landscaping, lighting, and many other features more compatible with the urban environment. It is important to note that this was a directive from Mayor and Council to make the roadway more compatible with the existing urban environment and not simply a cross-town freeway bypass.”

There’s always an ebb and flow to urban areas. So many cities have seen districts evolve from vibrant to crummy, to artists, to hipster to developer. It’s the way of things. Having that understanding and acceptance is vital.

“I’ve learned a lot and that’s what’s sort of nice about feeling like a homeless person in a garage, it’s humbled me,” Schaper says. “And there’s nothing like humility to teach you how to create. Because, your job is not to save the world, your job is to do what you are supposed to do to – and if everybody sort of does that… react to the best of your ability of what comes at you, the world will work out.

“In other words, if you don’t have what you need, why would you be doing it?”

The Mat Bevel Institute’s website is MatBevel.com, where information on Schapers upcoming move and ways to donate to the process will be available. Contact him at bevel@matbevel.com or (520) 304-8899. His neighbor to the south, architect/builder Paul Schwam of Solar Lava, SolarLava.com, will be a part of the Downtown Links relocation process. The Downtown Links project is working on updating its website as well, and should be live sometime mid- to late-January, at DowntownLinks.info.

From the Editor Dec. 2013

December 4, 2013 |

It is more fun to dress up dogs in holiday head gear than dealing with the malls and rampant commercialism.
photo: Jamie Manser/model: Merle

Let’s face it; holidays are a pain in the derrière.

Between the rampant materialism, stupid ads, the crowds – ugh, the crowds – and the strange expectations, the season can be a bit difficult to navigate. I don’t want to seem totally negative about it, I do love the hot cider, mulled wine, baking, roasting and decorating, and being with friends and family. That’s where it’s at! And, a reasonable amount of gift giving is lovely, but I avoid malls like the plague.

Why? Because apparently I have demophobia, but also because the malls’ soulless vibe bums me out, and the very real possibility of getting crushed or witnessing fights over stuff made in China is completely unattractive.

Instead of lots and lots of gifts, I say selectively gift. A couple of nice, locally made pieces that are more expensive than the crap at the big box, but mean so much more because heart and soul went into its production – and, you are supporting a Tucson artist. And if you can’t afford that, make a card, a cake, give a hug or a kiss, or volunteer to help out the less fortunate.

Whatever you do, be thoughtful about it, mindful that you aren’t letting the corporate prigs tell you how to live. And give yourself a break. Enjoy the events that are happening throughout the month, make family and friends a priority, say goodbye to 2013 and embrace the new year – the Year of the Horse!

A Light Parade, Old Pueblo Style

December 1, 2013 |

Santa at the 2013 Downtown Parade of Lights.
Photo: Scott Griessel/courtesy Downtown Tucson Partnership

It is crazily popular. Tucsonans love this parade.

It’s an eclectic, Old Pueblo eccentric glorious mishmash of goofy to serious entries – storm troopers meeting dog groups meeting accordion players meeting high school marching bands meeting church groups. There are local dignitaries in convertibles; car clubs, scooter clubs, motorcycle clubs; dance troupes, mariachi and folklorico groups. All of these various Tucsonans coming together Downtown, dancing and laughing and singing and showing off lights and song and joy and the inner and outer glow of the season’s spirit.

Meander along the parade route, sit and stare and soak in the ambiance of community.

As a previous employee of the organization that pulls it together, and as a freelance contributor for the same organization – the Downtown Tucson Partnership (DTP) – I am always amazed by the crowds that consistently come out in droves for the annual Downtown Parade of Lights (POL).

Over the last several years, the parade has featured 70 to 80 groups with over 500 participants. The crowds are even more impressive – easily 30,000 attendees gather along the parade’s footprint.

This wasn’t always the case.

As City of Tucson’s Events Coordinator Chris Leighton remembers – on good authority as he was one of the event’s founders – the first parade in 1995 had 15 entries with perhaps 1,500 to 2,000 people showing up to watch. The five-person committee that ignited the annual holiday parade, says Leighton, included “Sheila King from the [now defunct] Downtown Arts & Business Alliance, someone from TPD, myself, and Sarah Clements from the [now defunct] Tucson Arts District Partnership, Inc. And Beth Walkup we dragged in too, she was head of the Children’s Museum then, before Bob became mayor.”

That committee thought it was important to have a local holiday parade as, Leighton says, it seemed like “a tradition that most other cities have that we were missing. We still had some retail Downtown at that point that was struggling, so it was a way to compete against the mall and get crowds down there on Black Friday.” It was a daytime event that year, explains Leighton, “and boy did it piss off the malls; we were getting calls complaining about it!”

The next year, Leighton recalls, the parade was on the Saturday after Thanksgiving and moved to nighttime with the name eventually morphing to Holiday Parade of Lights “because then we made everyone light everything.”

Since 1996, POL has been an evening event. In more recent history, it was generally on the second Saturday of December and coincided with the 4th Avenue Street Fair. This year, however, the event is moving to the third Saturday, on Dec. 21.

Leighton thinks the date shift is a good idea. “I’m excited to see what the late date is going to do; I have a feeling it may get even more people out because by late December, there is less to do other than Christmas coming up and Christmas shopping, so I’m thinking we may get a bigger crowd this year.”

Downtown Parade of Lights Dec. 2013.
Photo: Scott Griessel/courtesy Downtown Tucson Partnership

Brandi Haga, Downtown Parade of Lights Coordinator and DTP’s admin extraordinaire, further elucidates that the date was chosen based on “so many other events happening every other weekend in December, so we decided on Dec. 21 – we didn’t want to compete with other events and wanted to give the public a more holiday feel,” since that date chronologically brings the parade closer to Christmas.

Haga, who has been coordinating the POL since 2008, (Zócalo publisher David Olsen – who is also a previous employee of DTP – ran it from 2003 to 2007), takes a hands-on approach when it comes to managing entries and placing parade participants.

“A lot of parades have online registration these days, but we get entries mailed in,” Haga explains as we sit together at her desk. She pulls out a purple folder, stylized with white flowers, and extracts some applications.

“It makes it more personable, and I like that, having that communication.” As she is talking, Haga is handed mail that includes another application – which punctuates the point. “And, seeing the envelopes come in!”

There is certainly something to having tactile experiences in an ever increasingly digital world. She demonstrates the physical process of separating the applicants into four piles – float, vehicle, walking, and musical. Haga pours over the applications, making sure to not put musical groups next to each other, respecting requests of walking groups to not be behind big diesel floats.

Haga says some of the most rewarding aspects of the hard work includes meeting new people and working with different Tucson organizations. The various participants, long term and newbies, are also stoked to be a part of the parade and work with Haga and the DTP.

Coming into their sophomore year, Cher Conklin of Peppermint Jim says via email that they enjoy interacting with the parade’s enthusiastic crowds, meeting Santa in the line-up and “getting the display/float ready, making it better and nicer each year.” Their groovy shtick last year was a mock mint distillery with “steam” and mint coming out on all ends. Conklin says they appreciate that “the organization/management is solid and there seems to be a very loyal following for it in Tucson, which makes it all the more fun.”

Both Carondelet St. Mary’s and the Tucson GLBT Chamber of Commerce are first year participants, and are looking forward to the event. Amy Beiter, M.D., president and CEO of Carondelet St. Mary’s Hospital (the parade’s presenting sponsor) says via email: “We enjoy supporting organizations and events that are also uniquely Tucson and that promote good health and a strong sense of community. I’ve heard it described as fun and eclectic and a true representation of Tucson’s character. We love the fact that so many volunteers rally to put on a festive holiday parade in Downtown Tucson.”

Timothy Brown, with the Tucson GLBT Chamber of Commerce, says, “Many people in Tucson do not know that we exist as a chamber so this will be great publicity for us and way to let people know that there are other options for networking and meeting other business people in the Tucson area.”

Debra Jackson, Tucson Parks and Recreation Recreation Supervisor, wrote through email that they’ve been involved since the beginning and always look forward to it.

“The excitement starts months ahead when we sit down and brainstorm the theme for the year. Then the construction, and finally the night of the event when all 200 plus kids from our after-school program come out and see what has been created, and how they fit in to the overall theme. It’s a great time for sharing the joy to those lined along the streets of Downtown.”

For Haga, after months of planning and hours of work before the entries unhitch, her favorite part is a few minutes of quite solitude in the dark. “After the parade takes off, I drive the golf cart into a little dark corner and watch. Even if they are out of order, it doesn’t matter because people are happy and having fun – especially all of the cute kids!”

The 19th Annual Parade of Lights is Saturday, Dec. 21 and starts at 6:30 p.m. The Mayor’s Tree Lighting Ceremony happens before the parade at Armory Park, 221 S. Sixth Ave. at 5:45 p.m. More information on the festivities, along with a route map, is available at DowntownTucson.org/visit/parade-of-lights/. Entry forms are also available on the website and are accepted through Dec. 9. Email brandi@downtowntucson.org with inquiries.

Downtown Parade of Lights Dec. 2013.
Photo: Scott Griessel/courtesy Downtown Tucson Partnership

KXCI Turns Up the Wattage

November 29, 2013 |

In 2002, with Tom Petty’s searing stab at corporate radio (“The Last DJ”) ringing in my ears, I was super glad that I had recently become a member of KXCI, Tucson’s community radio station.

I liked that KXCI had live, mostly volunteer DJs Left of the Dial (‘Mats, anyone?) at 91.3FM, playing local music and national independent artists; living, breathing humans that made mistakes, laughed about it, turned vinyl – oh the warm hiss and pop – and seemed to really care about this community.

Sometimes it was unpolished, but it was much better than listening to the super slick commercial radio stations spinning the same scheisse – could you even call in a request? – and, ah geez, the screaming car sales ads.

I was impressed that KXCI had in-studio DJs 24/7, still does, with a schedule of shows that offer tunes for seemingly every demographic. Not to mention that the station keeps its lights on via grants, underwriters and memberships while still providing prime air time to non-profits via public service announcements.

In 2009, I was appointed to the board of directors and served for three years. Zócalo’s publisher David Olsen served on the board for five years previous to me joining it. All of this is to say, with full disclosure, I’ve had a relationship with the station for over a decade, and I’ve broken bread and clinked glasses with the staff.

The station has had major issues and there were many tumultuous years. But it has persevered and is only getting stronger. As KXCI enters its third decade of broadcasting this month, it is hosting a series of events to celebrate its 30th (pearl!) anniversary, along with pushing its capital campaign, “Amplify KXCI.” The fund-raising effort focuses on four components with the first priority on funding the northwest booster transmitter.

As any regular listener knows, the signal breaks up as one moves north and west of the town’s center. Talking with The Home Stretch Host and Special Projects Director Cathy Rivers, the broadcast starts to get lost around River Road, she says, “and there’s nothing by the time you reach Orange Grove.”

It’s been a complaint for years, but there were so many regulatory, engineering and geologic issues – Pusch Ridge blocks the signal emanating from the Santa Catalinas’ Mt. Bigelow – that had to be sorted through; details that have taken a lot of time and energy to figure out.

“Anecdotally, it was what most people brought up with us at events, ‘We’d listen more if we could get the station.’,'” Community Engagement Director Amanda Shauger shares. “It took a ground swell of will to analyze the problem and find solutions.

“There was a time when it seemed no amount of money could solve the broadcast problem,” Shauger adds.

Finding a solution to the broadcasting issue began in earnest in 2011 when Shauger, Mary Beth Haralovich, board president, and General Manager Randy Peterson sat down with an engineer from Oregon at the National Federation of Community Broadcasters conference in San Francisco.

“He showed us our FCC (Federal Communications Commission) file and looked at the various things KXCI tried before. Some of it was not having the capacity or will. It is a testament to our ability and financial stability to have the time to figure it out,” explains Schauger.

As the quest to find FCC and engineering broadcast solutions to provide a signal to the foothills and northwest Tucson carried on, a capital campaign feasibility study for the station was being undertaken by Smith & Dale, a local development consulting firm.

“They conducted more than 50 in-person interviews and hundreds more in an online survey. It determined the priorities of the campaign and the financial goals,” Shauger says.

The Smith & Dale study ended up setting the fundraising bar for Amplify KXCI at $900,000: $350,000 to fund the northwest booster transmitter, $225,000 to rehabilitate the station’s century-old Downtown headquarters, $175,000 to upgrade technology and $150,000 as an endowment.

The $350,000 will cover purchasing and installing the booster transmitter equipment on the Good News Radio Broadcasting tower at First Avenue and Grant Road, along with three years of tower rental and utility costs. Beyond the first three years of funding, the hope is that new memberships from the expanded signal reach will come in and carry the costs of the station’s booster.

Peterson, known for his dry wit, jokes when asked if there is a back-up plan if new membership projections do not come to fruition to sustain the added equipment costs at the mid-town tower.

Harakiri?”

The staff has done its research, so there shan’t be a need for ritual suicide.

“Annual rent and utilities should fall in the $18,000 to $20,000 range. The first three years are included in the campaign so that we are not increasing operational expenses. Based on our own experience and public radio and television research, the average listener takes about three years to become a member. At the high end of $20,000, the increased operating costs require only about 200 more members; we’re expecting to have won the support of closer to 1,000 new members in the next three years.” Current membership is at 2,705, according to Membership Director Michelle Boulet-Stephenson.

“The station is on solid ground in our regular operating expenses,” Peterson adds.

KXCI is well on its way to reaching the campaign’s first tier goal of meeting the $350,000 benchmark for the booster. As of late November, the capital campaign was already at $290,000. The success of Amplify KXCI will determine when the transmitter is installed.

“We are putting ‘first dollars’ to the transmitter, so we don’t need to get all the way to [the goal], just far enough to feel confident in executing the equipment purchase,” says Peterson. “From that day (purchase) through installation and testing we are probably looking at four to six months. We have already done all necessary engineering, surveying and legal work, and we have the authorization from the FCC.”

Beyond filling out its signal coverage, increasing the number of potential listeners “will help our underwriters and the non-profits we serve through the public service announcements,” says Rivers. She is passionate about the fact KXCI leads the pack when it comes to offering PSAs. Each week, four PSAs are chosen and they run eight times a day in both prime- and off-times. “No one else is doing that volume, or during those times,” Rivers states.

In fact, according to Peterson, KXCI runs 12,000 PSAs a year, “at a value of almost $125,000 split between approximately 150 non-profit groups.”

Mainly a music station, KXCI supports local musicians in a way that no other Tucson station does. Annually, hundreds of  local and regional bands receive airplay thanks to the tireless work of Music Director Duncan Hudson. To continue to connect listeners with these musicians, and the national independents the station spins, the $175,000 for technology upgrades is imperative.

“The era of CDs as our predominant medium for playing music is coming to an end, and KXCI is not currently equipped to do a sufficient job with digital media. Right now digital downloads are burned to CD, which is inefficient and expensive. Other technological improvements will include the ability to have multiple web streams and an archive of programs, so if you miss your favorite show live, you can listen to it at your convenience later. We already have the mechanism to do that, we just don’t have the staff and volunteer resources to make it a reality,” explains Peterson.

While the $225,000 number to rehabilitate the station’s historic Armory Park property may seem steep, the fact is that figure includes retiring the building’s mortgage (which is approximately $45,000), along with crucial upgrades.

“Most pressing needs are energy efficiency – attic insulation, better windows – and the roof, which has developed a few small leaks,” Peterson details. “We’d like to be pro-active on the roof now rather than spend more money later… [it will] become a more expensive albatross down the road.”

To keep the capital campaign donations manageable for donors, there are several levels (ranging from $600 to $100,000, but no amount will be turned away) that can be spread out over three years via installment payments. The current effort runs through February 2014, at which point, Peterson says, they will reassess strategies.

In further disclosure, I personally gave to this campaign as did my husband’s bankruptcy law firm. It is the love the staff and the volunteers put into crafting a most excellent station that wins our support. It really is about the people.

As Rivers says with genuine affection, “I’m really grateful to the people who started this radio station and I’m constantly amazed that we are on the air 24/7, and it’s due to the stellar job our volunteers do.”

Information on the capital campaign is at KXCI.org or by calling (520) 623-1000 x13. Find complete details on the 30th anniversary celebrations via the website or by tuning in to 91.3FM.

 

A Solstice Celebration

November 25, 2013 |

Kate Becker, organizer of Christmas Carnivale, also performs the event with her band.
photo: Puspa Lohmeyer

“I think of that time of the year, the solstice, as a time to celebrate the year and send it off,” says songstress Kate Becker.

We’re sitting on the back porch of Kate’s Magik, Becker’s essential oils – blended with intent – business in Iron Horse Neighborhood, talking about Christmas Carnivále. Between bites of delectable roasted veggies and soul-infusing honey-sweetened hot tea, Becker shares some background along with the vision of the event and the musicians she has brought together for the Wednesday, Dec. 18 show at Club Congress.

“The format is based on shows I did in New York at Collective: Unconscious on Manhattan’s Lower East Side. I was just starting out, and I started putting together monthly shows with other artists – poets, dancers, performance artists… but mainly musicians, songwriters, cowboy poets.”

Becker, who hosted those shows from 1999-2001, further explains that the goal was to attract more audience members and share the audience, as “there is only so many people any one band or performer can bring out.

“I did that for a couple of years until I moved out here and then I did a listening series at The Hut every second Wednesday of the month. I did (a series) in Bisbee too, at Elmo’s and Hot Licks, so, it became a tradition.”

When the singer/lyricist moved to Tucson in 2002 (“after 9/11,” Becker explains), she was seeing a lot of live music, “hoping to share the stage with some of them someday.”

That time has come. When Becker approached Hotel Congress’ entertainment director David Slutes with the idea, he was supportive and had a date open. “And it came together – whoosh – like nothing,” she shares, smiling.

Becker chose the bands and musicians by inviting “people who meant a lot to me, and most of them said yes.” Along with The Kate Becker Band, the line-up includes: Al Perry, Annie Hawkins, Leila Lopez, Joe Peña, Stuart Oliver & The Desert Angels, Combo Westside, and Mariachi Luz De Luna with Salvador Duran.

A pared down version of Mariachi Luz De Luna performs at Christmas Carnivale.
photo: Dov Frazier/courtesy Mariachi Luz De Luna

With her warm brown eyes as bright as the afternoon sun, Kate shines as she recalls seeing Mariachi Luz de Luna performing with Calexico in the past at Club Congress, and recounts her pleasure of the group joining the show.

“When he (Ruben) said yes, it was exciting for me because they are the best mariachi group. To see Mariachi Luz de Luna in a club is rare these days.”

Becker does a brief roundup of a few of the artists she picked and why: “Al Perry represented the desert to me, I had never heard music like that before I came here. That’s going to be special; he will be playing the oud. Also really special is Annie Hawkins playing with a band, something she hasn’t done in a long time. And Joe Peña, of course, he’s the bomb.”

And swapping the slots in-between the 25 minute sets are performers Donna Khil and hip-hop beat poet, Brian Haskins (aka Suchamc). “Donna is going to be playing the accordion. That will add to the carnival feel!

“Every artist is doing at least one holiday song of their understanding, whatever that means for them. It should be very festive and celebratory!”

For a mere $5, fans of live local music really can’t go wrong with this Wednesday, Dec. 18 show. It runs from 7 p.m. to 11 p.m. with, in order of appearance: Al Perry, Annie Hawkins, Joe Peña, Leila Lopez, Stuart Oliver & The Desert Angels, The Kate Becker Band, Combo Westside, and Mariachi Luz de Luna with Salvador Duran. Visit HotelCongress.com/club for more info.

Back to Basics

November 11, 2013 |

Marquirivi, Bolivia
photo by Lizzie Greene/EWB-UA

“Simple is harder than complicated,” reflects environmental engineering student Andrea F. Corral. Her cohort Vicky Karanikola agrees enthusiastically, “Yeah! Everything is so technologically advanced that you forget the simple. Our designs have to be simplified, they have to be simple to work.”

These University of Arizona doctoral environmental engineering students are discussing the challenges of going back to basics, to help a village in the mountainous Andean climes of Marquirivi, Bolivia gain a luxury the first world takes for granted everyday: sanitary conditions, hot showers and bathrooms.

In a community of 300 people, a population that doubles during agricultural planting and later crop harvesting, there are only three latrines, Karanikola explains. “One in the school, one in the nurse’s station and one outside, and pretty much they don’t work, so nobody uses them. And they have one shower in the nurse’s office, but nobody uses it because it is locked.”

Karanikola, from Greece, and Corral, from Ecuador, are volunteer members of Engineers Without Borders-University of Arizona (EWB-UA). Karanikola is the co-manager, with Jimmy Hackett, of the group’s Marquirivi sanitation project which aims to establish showers with hot water and working latrines. The structures will allow the villagers to bathe comfortably and segregate their waste to end water, crop and field contamination, along with reducing water-borne illnesses.

“Right now, I’m assuming they take showers with a bucket,” Karanikola says, “and heat up the water and use a sponge. But during the winter, the freezing temperatures go to zero, and they are up 14,000 feet, higher than Mount Lemmon.”

To provide the village with hot water, EWB-UA will set up solar thermosyphons, which uses rudimentary science to operate.

“It is very simple how it works,” explains Karanikola. “It has a solar panel and tank and it basically works by the difference in water density created by the different temperatures of the water. You heat up the water in the solar panel, so it becomes lighter and moves up in the tank, and the colder water goes back and gets warm, so it’s very simple. No pumps, and you install it on the roof. I know about it because in Greece it is very common, we use it a lot for heating up the water.”

While the technology for the showers and latrines must be uncomplicated to be established in such a remote area, and subsequently operated and maintained by the villagers, the design and construction processes are challenged by the location’s geological features.

Marquirivi, Bolivia
photo by Lizzie Greene/EWB-UA

“It’s like a 35 percent slope. It makes our design very hard. We start designing something and in the process, we read stuff, we try to figure out things and we realize, ‘this design is not feasible,’ so it is a very long process. So we realize we need to go for a second assessment trip where we completely focus on figuring out the terrain, do very accurate percolation tests, surveying the community,”  Karanikola details. “We have two to three different alternative designs, and see which one they prefer. Which one would be better for them to operate and maintain, what would they prefer and do they have enough money to maintain and operate them for the different options we are giving them? So, there’s a lot of work to be done in December.”

The village was first “adopted” by EWB-UA in September 2011, according to EngineersInAction.org/projects/current-projects/marquirivi/. The local student organization had to apply for the project through the national Engineers Without Borders chapter in a rigorous selection process. The group’s first assessment trip was in May 2012. It is now in the design and fund-raising phase for the December 2013 trip.

“It’s hard work!” Corral laughs, shaking her head. “People, when they think about Engineers Without Borders, they don’t really think about fund-raising, so it’s really hard to get people involved in that part of the organization, which is one of the basic cornerstones of the project because without money, we wouldn’t be able to go and do assessment trips and do the implementation.”

While the group has applied for and received several grants to cover travel and project expenses, there are always fiscal needs as EWB-UA has a five year commitment to the village’s sanitation project.

“There’s a process that we will build and monitor and the same time. Our project has many phases, so we don’t want to – we can’t actually – build everything all together,” Karanikola elucidates.

Dr. Wendell Ela, EWB-UA’s faculty advisor/professional mentor since 2004 and UA Chemical and Environmental Engineering Professor since 1998, reiterates the difficulties via email from Zimbabwe. “The current project to try and improve sanitation conditions for the community has a somewhat open-ended time frame, as the technologies to be implemented and number of sites to be addressed are still being designed and determined. It will minimally be a project going into 2016.

“Since the community is on a steep mountain slope at elevations ranging from about 12,500 to over 14,000 feet, the terrain is an obvious challenge. In addition, the community is very dispersed with the residences distributed over the entire area and no real opportunities for significant centralization of sanitation facilities. However, on the positive side, the community has a reasonably reliable and seemingly sufficient potable water supply, so one major hurdle is already surmounted.”

Both of the women speak with a passion for the work, and a deep respect for the community their team is volunteering their time and minds to serve. The depth of the project isn’t just building a couple of showers and toilets. It is following building codes established by the United States, the United Nations, the Environmental Protection Agency, the World Bank. It is presenting the designs to EWB-USA, with exhaustive, precise reports covering the smallest technical details.

Marquirivi, Bolivia
photo by Lizzie Greene/EWB-UA

They also both understand this effort requires people with diverse skills and make it very clear it doesn’t take an engineer to be a part of EWB-UA.

“When we travel, we will need to have people that know about different things, we will need a nurse and someone in the social studies to reach out to the community and do a better survey of the needs of the community – how the community sees our presence there. Do they like it? Are they comfortable with us there? Do they agree with the project? Do they find it fine or do they disagree?” Corral says.

When it comes to community, they both exude appreciation for Casa Vicente, the locale of EWB-UA’s fundraising event on Nov. 24, from 6 p.m.-9 p.m.

As regulars at the downtown Spanish restaurant, 375 S. Stone Ave., the ladies discussed the project with owners Vicente Sanchez and Marita Gomez. “We were talking about it and he thought it would be a good idea to have an event there. So, we are very thankful to him and Marita. They’re great, they gave us great ideas to advertise the event and how to do it, they have done this before so their experience has been really helpful,” smiles Corral. “They are a very giving couple.”

The EWB-UA fundraising event, Noche Boliviano, is Sunday, Nov. 24 and features tapas, flamenco dancing, live music and details on the project. Tickets are $75. More information is at EWB-UA.org or email ewb.arizona@gmail .com.

Producing a Healthier You

November 11, 2013 |

Healthy You Network’s recently opened community center offers a variety of resources for people exploring, and already embracing, a plant-based, whole foods lifestyle.

As interest in the local food movement rises, more and more people are understanding the value and power of knowing where their victuals come from, how they are grown and the environmental impacts of choosing organic provisions.

It is also becoming abundantly clear that our shopping choices have the ability to build stronger communities via economically supporting local growers while sustaining our own personal health. Research supports the fact that we are what we eat and the fuel we put into our bodies determines the vibrancy and longevity of our lives.

But, short of hiring a nutritionist or health coach, it can be a challenging feat to understand where to begin and how to proceed. To fill that gap for the Tucson community is Healthy You Network (HYN), a 501(c)3 non-profit organization that touts the benefits of a plant-based, whole foods diet; generally defined as emphasizing vegetables, fruits, grains, and legumes; consuming unprocessed or minimally processed foods, and excluding all animal products while minimizing salt and sugar.

Comprised of working volunteers and a board of directors, HYN was established in 2011 with a handful of people who recognized the need for outreach and education; a need to share with folks the fact that most chronic diseases are often a result of dietary decisions.

Robert Cheeke, vegan bodybuilder, speaks at the Healthy You Network Nov. 17 VegFest. photo courtesy Healthy You Network

The group began hosting symposiums, bringing in the who’s who advocates (scientists, athletes and medical doctors) of the plant-based diet. While the public interest was there, as evidenced by attendance at the events, HYN realized “they needed to sustain and support people interested in this lifestyle and be an outreach center,” said Media Relations Coordinator Jamie Roach. “They needed to establish a place for both people who were already plant-based and for those considering it.”

At the end of October, that goal became a reality when HYN opened its resource center at 3913 E. Pima St. Roach said HYN will hold food demonstrations, first Saturday monthly pot lucks, along with offering lectures and a book and DVD library.

The center’s events will be affordable, Roach said, as “we want to reach the community at large and don’t want price to keep people away.”

In that spirit, HYN is now Tucson’s – and Arizona’s – vanguard as hosts for the free VegFest on Sunday, Nov. 17. Taking place at the Hilton Tucson East, 7600 E. Broadway Blvd., VegFest brings opportunities to learn about the fitness and environmental benefits of being a plant-based, whole foods consumer. Similar events happen nationally and internationally, but this is the first of its kind in the state.

VegFest runs from 9 a.m.-5 p.m., with presentations by Caleb Torres, June E. Stevens, vegan bodybuilder Robert Cheeke, Milton Mills, M.D., Sunizona Family Farms and Tucson Organic Gardeners along with a Fed by Threads fashion show.

It will showcase a peek into “what the whole food lifestyle looks like and tastes like,” Roach said. “It is all about the food!”

More information on HYN, its community center and VegFest is available at HealthyYouNetwork.org or by dialing (520) 275-7999.