DOWNTOWN / UNIVERSITY / 4TH AVE

Mark Klett Then + Now

March 4, 2015 |
Contemplating the View at Muley Point, Utah, 5/13/94 from Revealing Territory archival pigment print on Museo Photo rag, printed 2014 32 x 40 inches, © Mark Klett 1994, courtesy Etherton Gallery

Contemplating the View at Muley Point, Utah, 5/13/94
from Revealing Territory
archival pigment print on Museo Photo rag, printed 2014
32 x 40 inches, © Mark Klett 1994, courtesy Etherton Gallery

Photographer Mark Klett is a modern day enigma. Known world-wide for his stunning large-scale black and white images that trace and invoke past landscape photograph pioneers, he also brings a modern sensibility to his work that is infused with a wide range of emotions. Rarely are artists so agile at capturing both the majesty of their environments along with the complex socio-economic impact of modern man on the same spaces. In Klett’s new show at the Etherton Gallery entitled Then + Now, the photographer again demonstrates both his technical artistry and his keen powers of observation.

The exhibition is divided into three sections, the first features a look at several now-classic black and white images of western landscape that are familiar and compelling for their beauty and composition. Long known as one of the finest landscape photographers in the country, if not the world, these images reinforce the beauty of the environment that many of us will never see firsthand. With sweeping vistas and towering rock forms these images look like stills from a science fiction film. The next part of the show features these same black and white images on a larger scale than they have been seen before. This transformation is quite remarkable for a number of reasons. First, the amount of detail that has been captured and not seen before is staggering. Secondly, the images somehow manage to convey an even more powerful respect for the space that is being portrayed. After seeing these jumbo-sized works, it’s hard to go back to the originals.

The final set of images in the main exhibition, from the Camino del Diablo series, are entirely new, and are in glorious color. Klett again revisits his passion for history, as for this series he has retraced the route of an 1870 geological survey and photographed what might have been seen along the way. The pages from the book describing the landscape are displayed adjacent to each image, which adds to the experience of seeing this landscape for the first time in both words and images. Ironically, the location of this trek is now part of the Barry M. Goldwater bombing range and US military training area in the Sonoran Desert. As in the past, this juxtaposition of man and nature is handmade for Klett’s eye to document the intersection of man and nature in an uncanny way. These images are drop dead gorgeous and also a little sad. The scale of man in several puts perspective into play, along with the debris that has been left behind, but in the end it’s the staggering beauty of nature at outweighs anything humans are doing.

Largely unchanged since the era of the original descriptions in the narrative accompaniment, one can easily imagine being marooned in this foreign landscape in the late 1800s following a dangerous and hard stagecoach journey into the newest area of the United States, and expressing wonder at the exotic flora and fauna. Of particular note is one image of a crescent moon over a barely visible mountain range that sucks the viewer into its rich and inky black midnight tones. Another personal favorite in this series is the beautiful bowl of stars on display in another night scene, something that is hard to imagine to us city-dwellers—sad creatures who rarely see anything but the brightest stars due to urban light pollution. Equally startling though is the image of a military training compound constructed out of shipping containers to resemble a mosque. The desert life around the obstruction is a riot of color and texture that lets us know the desert will reclaim this interloper soon, as this desert is clearly standing in for another region

This body of work was recently vetted in a New York Times opinion page piece due to its exhibition at the Pace McGill Gallery where the retracing of the dangerous journey from 1870 and again today in an active bombing range that borders Mexico, is recognized as no small feat. While it was impossible to know if the route documented by Klett was exactly the same one taken in the 1870s, the fact that the wilderness still exists and continues to beguile, is the point.

Also on display as part of the show is a series of intimate images entitled Time Studies that track celestial movements in a single image. These are both works of art and scientific observations that only Klett could merge and make fascinating.

Mark Klett Then + Now is on display at the Etherton Gallery, located at 135 S. sixth Avenue in downtown Tucson. The show is up through March 21 and is free and open to the public Tuesday thru Saturday 11am – 5pm and by appointment at 624-7370.

Etherton Gallery

 

The Downtown Clifton

March 4, 2015 |
The Downtown Clifton

The Downtown Clifton

Clif Taylor is Tucson through-and-through. For starters, he was born and raised here, and one of his first concerts was actually an Elvis show at the TCC. Thanks to an interest he shared with his father growing up, he’s on a first-name basis with some of Mexico’s most famous bullfighters and, whether you know it or not, Taylor has put his own personal touch all over downtown Tucson as a designer for businesses like Hotel Congress and Maynard’s Market. Since he’s essentially been brought up 100 percent Sonoran, his style absolute reeks of that dusty, funky, kind-of-run-down-but-loved-to-death feel that typifies this city, especially in the way it seems to impress those visiting from out of town.

Perfect, then, that Taylor’s most recent project caters directly to that clientele—a type that Taylor himself identifies as “the adventurous traveler”. The Downtown Clifton at 16th St. and Stone Ave.—set to hold a public soft-opening event on the evening of March 28th—is a single-story ten-room motel that is tucked unassumingly onto a less-than-half-an-acre lot on the eastern edge of the Barrio Viejo neighborhood. Owners Phil Lipman and Moniqua Lane purchased the property from a private owner for $550k in October of 2013 and, for several months, they weren’t quite sure what to do with it.

Lipman says that, since there is a major housing shortage in downtown and South Tucson, his initial idea was to demolish the current building—a rather plain brick structure which had a former life as assisted housing—and install a much denser three-to-four story apartment complex on the site. But when the neighborhood reacted negatively late last year to a proposal to demolish the Downtown Motor Lodge with intentions of building something similar in scale to what Lipman and Lane had planned just two blocks north of the Clifton, the business partners had a change of heart. “We decided it would probably be better, rather than knock it down, to instead do something cool with the original building,” says Lipman. And, with an eye on the apparent interests of the other residents of Barrio Viejo, Tucson’s newest retro-chic motel was born.

Lane says that when she and Lipman first purchased the property, both of them wanted to stay clear of the hotel business. But after deciding to keep the original structure intact —and it was apparently in alarmingly good shape—the idea of getting into hospitality in downtown Tucson simply started to grow on them. When Taylor expressed an interest in taking charge of the project’s over all aesthetic, the two co-owners quickly gave him carte blanche to make the property into a vision all his own. The result, says Lane, “captures that real dusty-dirty feel” of the city without sacrificing on comfort.

Mural by Danny Martin

Mural by Danny Martin

Each room of the “twisted mid-century bunkhouse” is specially curated with “a million little weird details,” according to Taylor, including a great deal of art from his personal collection, swag lamps, custom-made platform beds, and even a mini-fridge, AC split, and flat screen TV for that all-essential touch of today required by the average modern tourist. The original colored concrete floors of the building were exposed in each room, the bathroom tiles and rafter ceilings preserved, and a number of brick planters, a fresh coat of paint inside-and-out, and a large full-color mural by local artist Danny Martin were added to give the property a certain border-town charm. Rooms at the Clifton will start at around $100 per night, though since there are only ten, chances are good that the place will fill up fairly quickly, especially during the busy season.

One more touch that promises to give the Downtown Clifton a slight advantage over would-be competitors in the area is the presence of a live-in manager and concierge in Liz Fogel. Fogel is also a Tucson native, though she spent a short spell in Austin, and the fact that she will be on the hotel grounds and in downtown in general full-time means guests can make use of her knowledge of the area and enjoy a completely customized downtown experience which caters to their specific tastes. “It’s like the tour of downtown Tucson that you would give your family if you were able to get off work,” says Lane. No doubt many locals will appreciate that sentiment—after all, that’s one less thing to worry about when the in-laws come to town.

The Downtown Clifton is located at 485 S. Stone Ave. More info on the hotel, booking rooms, and upcoming events can be found at TheDowntownClifton.com

 

 

Women in the Workforce: We’ve Come a Long Way

March 4, 2015 |

Women in the Workforce_Zocalo article

On Saturday, March 21, the UA Bookstore’s first floor is set to become a portal to the past when a salon – featuring music and discussion – on the women’s movement takes place. The UA Confluencenter for Creative Inquiry’s event, part of the Creative Collaborations series, is looking back at the middle of the 20th century when a seismic paradigm shift occurred in the United States; the shift from men mostly running things to women entering professional fields, and when girls’ ambitions could evolve beyond solely finding the perfect husband and becoming a dutiful wife and mother.

Pianist, Professor Emerita and the UA Confluencenter for Creative Inquiry Senior Fellow Paula Fan, the Creative Collaborations coordinator and host, reflects on the incredible journey of the women’s movement through dialogue with women from journalism, medicine and law – along with songs performed by vocalist Kristin Dauphinais.

“The stories that these ladies are going to tell, its history; they lived through it. I’m in my 60s. I am sort of peripheral to it. These three – in law, journalism, and medicine – we’re talking about the power fields, where women weren’t represented, so I think it is an important event,” Fan said.

These amazing, accomplished and award-winning professionals include magazine and newspaper journalist Linda Grant, Dr. Marilyn Heins, and retired attorney Susan Freund, J.D. All three entered college and their careers at a time when female participation was not the norm. They succeeded in spades through intelligence, determination and hard work. They faced discrimination and had experiences that would be lawsuit worthy today.

Linda Grant, 75, who graduated with a journalism degree from Northwestern University in 1963, shared that when she worked at Fortune Magazine (owned by Time, Inc.) in the 1970s, there was “a strict gender-based policy: men writers and women fact-checkers and reporters.

“This struck me as arrogant and wrong. In 1970, the women of Fortune filed a complaint with the EEOC (U.S. Equal Employment Opportunity Commission). As part of the settlement, Fortune and other Time Inc. publications had to institute ‘writer training programs’ for women,” Grant wrote via email. “The men editors hated this requirement, and year after year flunked all the women-in-training. In the mid-70s, I was selected to go through a one-year ‘training program.’ Pretty much everyone on the staff thought it would be a slam dunk, for I had freelanced for other publications and had been writing at Fortune for years. I just wasn’t getting the promotion and the pay of a writer. After a year the editors flunked me as well, which ended the entire training program.

“I wrote a strong letter of protest, took a leave, came back, and was promoted to associate editor and writer only months later. This was huge victory for all women. I celebrated by quitting Fortune and joining the Los Angeles Times in L.A.

“This fight – which the women at all magazines followed – led to the opening up of jobs for women. It has been detailed in a book by Lynn Povich called ‘The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace.’ Newsweek was first; Time, Life, Fortune and Sports Illustrated followed months later. The lawsuits were based on the 1964 Civil Rights Act, and follow-up legislation in 1979 that prohibited any company who did business with the U.S. government from discrimination,” Grant explained.

Dr. Marilyn Heins, a pediatrics expert, received her medical degree from Columbia University’s College of Physicians and Surgeons in 1955 and her undergraduate degree from Radcliffe (Harvard) in 1951. Heins, who is 84, shared in an email that at her undergrad orientation, Radcliffe’s Dean told the women that they were there to become educated mothers for their children.

“I went to college to become a doctor, so this was a bit of cognitive dissonance. One of the libraries was for men only and, yes, Harvard was a man’s world in those days. Most professors were at least somewhat accepting of the women students but I remember one asking us not to knit in class. I did not know how to knit then and still don’t know how.”

In a 2001 award acceptance speech, Heins recalled that “on the first day of our obstetrics rotation, the head of the department began the introductory lecture thusly: ‘With apologies to the women attending this lecture in order to become physicians, the function of young women is to have babies.’ I was a conscientious student so I wrote down his words verbatim. It took 18 years for that remark to somehow surface into my conscious thoughts and enrage me.”

Susan Freund, J. D., 69, graduated from college in 1967 with a degree in economics and a minor in accounting. “I was the only female in all of my business classes, but felt very supported by the professors. I made very good grades in my business and accounting classes, but was advised by my accounting professor that only the government (not private accounting firms) would hire me upon graduation because of my gender. He was right. I took a job as a field agent with the IRS. I was told at the time I was hired that there were only four female field agents in the whole U.S. I don’t know if this was true, but even the federal government was very much male dominated at this time.

“Before law school, I earned an M.B.A. from Monmouth University – I was the first female to do so. All of my professors and classmates were very supportive. I began law school (at the University of Arizona) in 1974. I was almost 29 and by then, a third of the class was female. We were the first class with substantial female numbers. The male classmates were very supportive, but some of the professors not so. Fortunately, the tax and business law professors were great. I graduated in 1977. After law school I went on to get a Masters of Law degree in Taxation at NYU. Again, a very good experience both with classmates and professors. I graduated in 1978,” Freund wrote via email.

When asked what some of the enduring accomplishments of the women’s movement are, Linda Grant wrote that the achievements for women today are proven by the numbers. “Women are everywhere: doctors, lawyers, engineers, journalists (no women’s pages anymore).” Dr. Marilyn Heins reflected Grant’s statement by saying, “the civil rights and women’s movement made enormous differences. Women have acquired access to virtually all professional and career opportunities.”

As Grant also said, “the movement could have done things better, but revolutions are messy. I think the movement wandered off course when it blamed men for everything, when bra-burners and demonstrators were silly. All we wanted was equal pay, and we are still working toward that goal, but progress is being made – two steps forward and one back.” Heins added that women’s advancements in achieving professional positions of power still needs a lot of work.

All three women, all mothers, echoed the same concern about child rearing. “Who is going to nurture the children?” Grant asked. Freund said that “one of the biggest challenges facing women today is how to manage a career and family. The support just isn’t there, for either the mother or the father. Maternity/paternity leave is too short.”

“The ‘big problem’,” wrote Heins, “is far from solved. When women work, either to fulfill their career dreams or feed their family, in a nation whose policies seem to assume all women are at home as in the ‘Dick and Jane’ books, who takes care of the children, our future?

“I hope today’s young people, both men and women, will use their creative thinking and political power to solve the ‘double burden’ problem.”

Creative Collaborations’ “Women in the Workforce: We’ve Come a Long Way” is free and runs from 11 a.m. to noon on Saturday, March 21 at the UA Bookstore’s first floor – located next to the student union at 1209 E. University Blvd. There is free parking in the Second Street Garage at Mountain Avenue. More information is at Confluencenter.arizona.edu or by calling 621-4587.

Shushing the Librarian Stereotype

March 2, 2015 |
University of Arizona Research and Learning Librarians Cindy Elliott (left) and Nicole Pagowsky (right) explore librarian stereotypes at Confluencenter's Show & Tell event on March 11. photo: Jamie Manser

University of Arizona Research and Learning Librarians Cindy Elliott (left) and Nicole Pagowsky (right) explore librarian stereotypes at Confluencenter’s Show & Tell event on March 11.
photo: Jamie Manser/Confluencenter for Creative Inquiry

They are classic scenes in the 1984 film “Ghostbusters.” One is the opener with the grandmotherly librarian who gets the bejeezus scared out of her by the “free-roaming, vaporous, full torso apparition” haunting the New York Public Library. The other scene is with that ghost, who seems to also have been a librarian in her earthly life, shushing the Ghostbusters when they try to ask her questions while she is reading; she then terrorizes and chases them off when they don’t comply with her request to be quiet.

With the comedic team of Dan Aykroyd, Bill Murray and Harold Ramis as the main focus, it is easy to gloss over the ghostly librarian typecast as an elderly white woman who wears her grey hair in a bun, shushes people and then turns monstrous when she’s not obeyed. It’s every little kid’s nightmare. But, let’s stop a minute, pull back for the wide angle perspective and look through a different lens.

If you are a librarian, the depiction probably touches a nerve because “Ghostbusters” certainly isn’t the only movie that perpetuates the stereotype.

“It’s everywhere,” says University of Arizona Research and Learning Librarian Nicole Pagowsky.

“It is everywhere,” agrees Cindy Elliott, also a Research and Learning Librarian at the UA.

“Especially in the media, the stereotypes are in everything from cartoons up into popular films, and television shows. Music, all kinds of things,” Elliott shares.

The three of us are chatting at the UA Main Library in mid-February, digging into the enduring and erroneous images often associated with librarians. The persistent portrayals and the implications will be shared, “in a fun way,” by Pagowsky and Elliott at Confluencenter for Creative Inquiry’s Show & Tell – a multimedia learning experience – on Wednesday, March 11.

Pagowsky, who is the co-editor of “The Librarian Stereotype: Deconstructing Perceptions and Presentations of Information Work,” imparts that her interest in examining the formulaic librarian representations stems from a curiosity about how these stereotypes affect the diversity of the profession, along with how librarians are perceived.

“The profession is over 85 percent white and over 80 percent women,” Pagowsky says. “A lot of it is because this stereotype is out there that we’re old white women or sexy white women. It’s not even necessarily, ‘Oh, I’m not sexy, I can’t go into it,’ it’s more like, ‘I’m not white’ or ‘I don’t fit into this demographic.’”

“And it’s damaging because if you don’t fit into that, you don’t see yourself in that role,” Elliott adds. “If you don’t see yourself represented there, you may not feel like ‘That’s for me.’ So that’s part of it too, we work really hard to try to recruit people from all types of backgrounds because it adds to our diversity. We need that to reflect what is going on with society.”

“And also with serving a diverse campus,” Pagowsky shares, “to just have a bunch of the same people with the same perspective developing our services, and our instruction and our interfaces and everything…”

“You want to recruit people from various backgrounds,” Elliott elucidates, “because it reflects our academic community and it reflects the community we live in.”

Along with dispelling the white, female dominated stereotype, Pagowsky also works to dismantle the idea of what librarians are supposed to wear through her blog LibrarianWardrobe.com. “Of course being female dominated, (the stereotypes are) focused on how we look. Which is another issue.”

Elliott adds that “it is weird and interesting, how fashion is very tied to the way someone perceives a librarian, so that blog that Nicole has is great. It shows that there’s a wide variety of people.”

In addition to dispelling mythologies surrounding the surface aspects of what librarians look like during the Show & Tell presentation, Pagowsky and Elliott will also share the exciting assortment of work and research librarians do at UA. Some are archivists in Special Collections, dealing with rarities like space dirt and a vaudeville collection; another librarian helps people on campus deal with and understand copyright issues. There are also health sciences librarians who do community outreach and librarians who work in student retention and campus outreach.

Pagowsky sums up the goal of the Show & Tell presentation, her scholarly work and website by saying, “It’s to show that there’s not really one way that we all look. People dress differently, people work at all different types of libraries, there’s all types of people that are librarians.”

The free Show & Tell presentation, “Shushing the Librarian Stereotype,” is on Wednesday, March 11 at Playground Bar & Lounge, 278 E. Congress St., at 6 p.m. More details are available at Confluencenter.arizona.edu or by calling 621-4587.

Vintage Finds at Nuevo Bazaar

February 3, 2015 |
photo: © 2013 A.T. WILLETT

photo: © 2013 A.T. WILLETT

With all of the big developments to downtown that have brought a slew of shiny new restaurants, bars, stores and attractions, it’s nice to experience something with local charm and a bohemian feel that epitomizes the true essence of Tucson. That was the exact impetus that drove Tim Hagyard to create the Nuevo Bazaar Downtown Flea Market back in 2010. With a strong desire to create a shabby-sheik market with a wide variety of items, Hagyard set out to bring the Indian marketplace aesthetic to life right here in our own backyard.

“In 2010 I started this out of feeling the need that Tucson needed a bazaar in the downtown area,” says Hagyard. “At that time, downtown was not what it is like today with the streetcar and all of the shops and restaurants. Rio Nuevo was still in the planning stages, and the area needed more events to bring people to it. So I thought that it would be great to have a flea market somewhat modeled after those in India that you can find in Brooklyn or San Francisco. It creates a little event of its own, even if it just pops up on a little street corner.”

Now in its 4th year, Nuevo Bazaar is back and bigger then ever. With a prime location at 126 E 7th Street, Hagyard is bringing together over 20 vendors who will be selling a mix of everything from clothing, antiques, collectibles, art and accessories that range from vintage to mid-century to modern. The event is taking place on Saturday February 7th from 9:00am-5:00pm and welcomes families and eager shoppers to peruse the booths to see what gems they can find from the assorted group of sellers.

“People can expect an eclectic grouping of things. Some people have vintage stuff, some have modern and some specialize in collectibles. Some are professional dealers, and some are just collectors who want a vehicle to sell their extra things through. There are arts and crafts and clothes and all sorts of things. This is a great time of year to have an outdoor event like this where families can come out and browse and enjoy the day buying some great things. Everyone likes hunting for items and doing some shopping.”

With a great location for foot traffic and bike commuters thanks to the two-way street improvements of 6th avenue, the bazaar will have more space this year than ever before. Situated next to Tap and Bottle and the row of 6th avenue art galleries, Hagyard’s goal of preserving the mellow, organic feel of the flea market has remained perfectly intact.

“My favorite part is to have created an event that people come out and enjoy and to help out the downtown scene with another local event. It’s not a big sponsored event; it’s a small little element that adds to the rich flavor of downtown. Not everything has to be a big, giant event. This is very organic. It is commercial in nature, but it is not “Budweiser Presents: The Bazaar.” It was created with a modest, casual feel and I think that it has kept that.”

Nuevo Bazaar takes places Saturday, February 7th, 9am-5pm at 126 E. 7th St. Learn by following the event on Facebook.

iBorders: Drones & Designs

January 5, 2015 |
A U.S. Customs and Border Protection drone. photo: Gerald L. Nino/CBP Photographer

A U.S. Customs and Border Protection drone.
photo: Gerald L. Nino/CBP Photographer

“Google Predator drone.”

Professor Benjamin J. Muller is standing to my left, graphic designer Thomas Kafka McCarthy is standing behind me and the three of us are staring at my computer monitor. This image search is work, turning out to be a bit harder than we originally thought.

“See if you can find one in flight, one with the U.S. CBP logo.”

I look at Muller blankly. “CBP?” I’m still getting used to the acronym world of academia.

The professor grins. “Sorry,” he says with his slight Canadian intonation. “U.S. Customs and Border Protection.”

We’re at the UA Confluencenter for Creative Inquiry’s headquarters on East Helen Street, just north of the Eller College of Management. Muller is Confluencenter’s Visiting Scholar – its first – who was invited here due to his distinguished multidisciplinary research on the intersection of borders, borderlands, security, identity, surveillance and biometric technology; issues of deep current relevance to our society. We’re gathering materials in conjunction with Muller’s Show & Tell talk on Wednesday, Jan. 14, titled iBorders: Drones & Designs.

“Here we go,” I say, as the screen populates with a mosaic of square pictures of unmanned aerial vehicles. Muller immediately nixes the drones equipped with Hellfire missiles, weapons developed for precision strikes against people.

“The border drones aren’t armed,” he says. “Yet.”

That small, three-letter word sends a chill down my spine. The facts Muller rattles off, about how local and international borders are monitored and the state sanctioned surveillance to track people’s movements, are creepy. We’re in future world, beyond Orwellian and hurtling toward realizing the 2002 Tom Cruise movie “Minority Report” style pre-crime police enforcement. The botched case of Maher Arar is a prime example. We’ll get to him in a minute.

U.S. Marine Corps Sgt. A.C. Wilson uses a retina scanner to positively identify a member of the Baghdaddi city council prior to a meeting with local tribal figureheads, sheiks, community leaders and U.S. service members deployed with Regimental Combat Team-7 in Baghdaddi, Iraq, on Jan. 10, 2007.  Wilson is attached to the 4th Civil Affairs Group.  DoD photo by Gunnery Sgt. Michael Q. Retana, U.S. Marine Corps.

U.S. Marine Corps Sgt. A.C. Wilson uses a retina scanner to positively identify a member of the Baghdaddi city council prior to a meeting with local tribal figureheads, sheiks, community leaders and U.S. service members deployed with Regimental Combat Team-7 in Baghdaddi, Iraq, on Jan. 10, 2007. Wilson is attached to the 4th Civil Affairs Group. DoD photo by Gunnery Sgt. Michael Q. Retana, U.S. Marine Corps.

Our next Google image search is on biometrics. Eye scans, fingerprint access machines and soldiers scanning civilian irises fill the monitor. McCarthy and I stare at these images, while Muller – in his affable, easy-going manner – nonchalantly informs us about the amount of data being collected by the government, how it is collected and how the collective information comprises each individual’s data double. We look at him, appalled.

“How do you not become super paranoid, knowing all of this?” I ask.

Muller laughs, “Yeah, you know, I have students ask me all the time if I want to go hide in a cabin in the woods. Sometimes the answer is yes.”

Muller is on sabbatical from King’s University College in London, Ontario, where he is an Associate Professor with the Department of Political Science. The 38-year-old’s career path was shaped by the mid- and late-90s political environmental struggles in the Pacific Northwest during his undergrad and graduate years at the University of Victoria, in Victoria, British Colombia.

“At the end of the 1990s, the ‘Battle in Seattle,’ an infamous protest at the World Trade Organization meetings in Seattle, marked the beginning of the amorphous ‘anti-globalization movement,’” Muller wrote via email when he first landed in Tucson. “These all played an important role in my intellectual development, and my particular interest in borders in a broad sense, and the challenges to notions of inside and outside, us and them, friend and enemy, and inclusion and exclusion. These motivated my decision to pursue my doctoral studies in an interdisciplinary institute at Queen’s University in Belfast, Northern Ireland to explore questions about security, borders, and mobility in the European Union.

“As a doctoral student in Belfast, my interests in borders, broadly defined, began to flourish. Belfast is a city of borders and even walls. One can, with some understanding of local politics and culture, almost immediately identify different neighbourhoods, their respective political allegiances, religious affiliations and socio-economic status. In some cases, physical walls and barriers create the differentiations, but in other cases, painted curbs, flags, and murals, provide accounts, or the absence of such signs and symbols, provide the necessary cues.”

Muller would later be influenced by 9/11, researching how security, identity, borders and surveillance technologies changed post 9/11 – especially with the passing of the USA PATRIOT (Uniting and Strengthening America by Providing Appropriate Tools Required to Intercept and Obstruct Terrorism) Act of 2001.

As WikiLeaks and Edward Snowden have informed us, people’s actions are being monitored and digital lives are under scrutiny. Our digital actions comprise our data double.

Professor Benjamin J. Muller photo: John Nofs

Professor Benjamin J. Muller
photo: John Nofs

“We all have data doubles. All sorts of them,” Muller explains. “And they may or may not be reasonable approximations of us. We all know what part of our data double looks like because we get those emails that say, ‘You bought this book from Amazon, you might also like this and this book.’ And the company that produces that algorithm also helps produce the algorithm for the Terror Watchlist.

“It’s all about algorithms, it’s all about these little bits – ‘You bought that book, you traveled to that place, you keep phoning these two countries, these are the three places you’ve been in the last five years, this is the city you live in, this is your zip code.’ And all these things get interlinked. In some cases, it’s all the stuff that means it is easier for you to get a job in a certain place or not, or you get certain deals at certain stores more than others or you are more likely to get a credit card over someone else. Those are all our data double too, but, the grander aspects of it are the ways in which these get interlinked with law enforcement and the kind of assumptions. And this whole move in law enforcement about precaution. ‘Precautionary risk,’ they call it. Which is arguably like it’s a pre-crime.”

Which brings us to the case of Canadian citizen Maher Arar. In September 2002, Arar was on a stopover in New York on the way back to Canada from Tunisia. He was detained by the U.S. Immigration and Naturalization Service, ended up being shipped to Syria – where he was originally from (but left in 1987 at 17-years-old) – and tortured for over a year in an attempt to ascertain terrorist connections. He was later exonerated by a Canadian commission and awarded over $10 million (Canadian) by the Canadian government.

“Basically, his data double looked suspicious,” says Muller. “In other words, his travel patterns, what he did for a living, who he seemed to contact, his long distance phone call records. These sorts of things all made Arar look sinister. It’s a good example where his data and the way in which it traveled caused him to look a certain way and had very negative consequences for him in the end. It was the virtual border that captured Arar, but his punishment was anything but virtual.”

More and more, drones are being utilized to target terrorists based on the collection of people’s digital data. “In the past and particularly under Obama, what’s increased are ‘signature strikes,’” Muller explains. “Which again, those are striking data. Because they don’t know that they hit Joe, they can’t maintain the statistics about who’ve they’ve killed. They just know that what they hit was a data point that collectively looks suspicious. And if you are near that person, then you must also be suspicious.

“All those little data points and that’s a signature strike – of a certain data, a signature. It’s very different when we say, ‘We know that Sally’s bad for sure, here’s why. And, so we’re going to get Sally.’ And then they might say, ‘Oh, there were other people driving Sally around, but who would drive Sally around but people who are bad?’ We’re not even at that point, we’re talking about, ‘We know that you bought this and traveled to these four places and contacted these people and had this kind of cell phone network that you were using, then, you’re bad.’”

U.S. Customs and Border Protection's Unmanned Aircraft System MQ-9 Predator B. photo: Gerald L. Nino/CBP Photographer

U.S. Customs and Border Protection’s Unmanned Aircraft System MQ-9 Predator B.
photo: Gerald L. Nino/CBP Photographer

What is also fascinating about the drone technology and the removal of humanizing the people being killed is the fact that “drones view things in a kind of sinister manner. Everything starts to look a bit suspicious when it is looked at through the eyes of a drone. We’ve seen the footage; we know what that looks like – the little people cruising between the buildings. But it turns out everything looks like that from a drone,” Muller explicates.

As I mull over our conversation, I think about Stephen Colbert saying: “Facts matter not at all. Perception is everything.” Perceptions of justice and fairness are certainly erroneous when reflecting on the actions of a rabid, paranoid government. They may be paranoid, but sometimes they know how to play the perception game.

At the U.S./Canadian border crossing in Blaine, Washington, the U.S. commissioned Apple Store architecture firm Bohlin Cywinski Jackson to design the border facility.

“The way they describe secondary inspections,” Muller says, “it’s more like a comfortable business transaction. So for me it is interesting because what I’m going to talk about (at Show & Tell) is how we envision borders through the drones and designs. So the design in this case, this place has enhanced incarceration capacity, they have more cells – but from the outside, it’s all about a green roof and looking welcoming and there’s Dale Chihuly glass hanging in there. So it’s all really aesthetically pleasing and it conceals all the things that conventionally borders have been about and, in fact, they have enhanced it. And there are other facilities where they have done this as well, concealing the cameras and so on. All the things where there’s more surveillance going on, there’s more ability to capture you, but what they’ve done is made it look nicer, so you feel really comfortable.”

Learn about how drones, biometric technologies, artificial intelligence, surveillance and architectural designs reformulate borders and the bodies that cross them during Muller’s Show & Tell presentation “iBorders: Drones & Designs.” It takes place at Playground Bar & Lounge, 278 E. Congress St., on Wednesday, Jan. 14 at 6 p.m. More at Confluencenter.Arizona.edu.

NMWG 2nd Annual Benefit Show

December 3, 2014 |

NMWG 2nd Annual Benefit Show/Fundraiser for Southern Arizona Lupus Foundation

Amy & Derrick Ross Photo: Jimi Giannatti

Amy & Derrick Ross
Photo: Jimi Giannatti

Sat, Dec 6
Cafe Passe, 415 N. 4th Ave., 6 p.m.-9 p.m. (acoustic songwriters)
Flycatcher, 340 E. 6th Ave., 8:30 p.m.- 1 a.m. (electric bands)
$10/venue or $15 for both

NMWG.org

Musicians from all over Arizona, including: Sedona, Phoenix, Tempe, Tucson and Bisbee will once again converge on Fourth Avenue to take part in a benefit honoring and celebrating the love and talents of Amy & Derrick Ross (also known as Nowhere Man and a Whiskey Girl) to help raise money to help fight lupus. Each performer will be playing their favorite NMWG songs, as well as share their favorite Amy & Derrick moments and stories.

The evening will feature over 30+ bands and musicians who played with, co-wrote, and/or wrote songs for the duo. The all-star lineup includes: Dry River Yacht Club (Tempe), decker. (Sedona), Keli & the Big Dream (Tucson), Lonna Beth Kelley (Phx), Carlos Arzate (Tucson), Sundowners (Tucson), Terry Wolf (Bisbee), Revisor (Phx), Kate Becker (Tucson), Kate Becker and Stuart Oliver (Tucson), Robin Vining (Phx), Laura Kepner Adney (Tucson), Mike Montoya (New Mexico), 8 Minutes To Burn (Tucson), Leila Lopez (Tucson), Brent Miles (Phx), Jillian Bessett (Tucson), Donna Kihl (Bisbee), Sweet Ghosts (Tucson), Bryan Sanders (Tucson), Copper & Congress (Tucson), 8 Minutes To Burn (Tucson), and many more TBA.

Besides music, there is also an online auction featuring items created by some of Arizona’s top artists and craftspersons, as well as vacation packages, autographed CDs, commemorative t-shirts, guitars, and more! The auction, at NMWG.org, runs through Sat, Dec. 13.

On Oct 15, 2013, Amy and Derrick Ross, known to local music fans as Nowhere Man and a Whiskey Girl, both died. She from the effects of long term lupus, and he from a self-inflicted gunshot. The deaths shocked  and saddened fellow musicians, and fans throughout Arizona. The two performed often in Phoenix (where they began their 15 year musical career, and 13 year marriage), and in Tucson, and in their hometown, of Bisbee. Both were active in Arizona’s music scene. Because of Amy’s demand for her every other day dialysis brought on by her decade long battle with lupus, NMWG could not tour nationally. This however did not prevent them fro traveling within the state to perform up to 3-4 times a week for over a decade. This, and their music helped them gain a huge following with Arizona residents and local musicians. Now we want to all give back.                    

 – Jimi Giannatti (friend, organizer, photographer and the Pop Narkotic poster genius)

Where the Thunder Is Born

December 2, 2014 |
Logan Phillips: Poet, DJ, Artist, Teacher  Photo: Jimi Giannatti

Logan Phillips: Poet, DJ, Artist, Teacher
Photo: Jimi Giannatti

In a lush desert of five seasons, the most sensory intense season is that of the late summer monsoons. When the residents watch with anticipation the clouds building through the day and pray – please give us precipitation, bring us los chubascos! Bring us the relief of release from the searing, breath stealing, oppressive humid heat. Shower our land; replenish the plants and animals, the aquifers and our souls.

These monsoons simultaneously clear away and pile up the detritus, as do the collection of poems in “Sonoran Strange.” With monsoon-like concentrated power – analogous to how the water and wind whip, shape and dance with la tierra – electric and unapologetic are the words that delve into the myriad layers of geology, history, flora, fauna, rivers, wars, pillaging, injustices, absurd realities and the mythologies of both the imperialists and those subsequently subjugated by colonialism.

Scribed by poet, performance artist and DJ Logan “Dirty Verbs” Phillips over seven years, “Sonoran Strange” offers poignant reflections by a man raised in rural Southern Arizona within sight of the border.

Phillips was born in Tombstone in 1983, where his family lived for a few years before his parents bought land near Hereford. “Our area was unincorporated, at that time it was Rural Route 1, down the middle of these beautiful rolling grasslands in the foothills of the Huachucas.”

His was an upbringing imbued by place; as a child Phillips was deeply connected to the Sonoran Desert’s space. With his canine companions, Logan would wander through mesquite boskets until called home for dinner. And of course, in the name of progress, the developers eventually came to claim the land.

“One day the stakes with neon flags would go up and then – no matter how many times I pulled them out – they would reappear. And then, sooner or later, one morning I would wake up and the bulldozers would have been grazing since dawn. And there was nothing left but raw, red earth. And that happened over, and over, and over, and over again. So I think it is that colonization of the land, of which my family was of course a part of, but, to be able to feel that and have it relate to losing my childhood innocence and – you know, when the imagination of a child comes to terms with the structural reality of the society, is always kind of a psychic break and that happened to me very much in relationship to the land.”

From this core of gut wrenching disillusionment, along with an education from a father who was a park ranger and later the exhibit designer for Ft. Huachuca Museum, ensued an understanding of the tales that are told by the victors to spin the stories of genocide and environmental destruction – themes ever present in “Sonoran Strange.”

“On take your kid to work day, my dad would have me in the Ft. Huachuca crazy 1880s military building with these passageways and bookcases and one moment he is showing me this document that has an original signature from Abraham Lincoln on it and then looking at an Apache skull with it smashed out on one side and then looking at a mannequin head that had just been delivered from the mannequin head-makers of an 1880s Chiricahua Apache in a box next to taxidermy of rattlesnakes and hawks…

“My understanding of history is definitely personal, it doesn’t feel dead. A lot of times studying history, especially in books… what is history defined as? Usually it’s ‘not the present,’ and I think that is bullshit. I think there are layers rather than a timeline and as a small kid my dad was telling me these stories which gave me an understanding of layers. But then of course, that fascinates you, discovering this in middle school led me to devouring books on the Apache and weird history books that my dad would have and reading Arizona Highways religiously as a 12-year-old. And then, this (book of poems) is just, as an adult, my adult self doubling down on that same innate curiosity and relationship with la tierra.”

Logan Phillips: Poet, DJ, Artist, Teacher  Photo: Jimi Giannatti

Logan Phillips: Poet, DJ, Artist, Teacher
Photo: Jimi Giannatti

The book’s genesis began as, Phillips calls it, a sprawling five-page poem that later got separated out into a “thread that runs through the book, the repeated narrative, kind of primary thread, that is that poem blown out, expanded out.”

Beginning in 2007, Phillips was collaborating with Adam Cooper-Terán in an effort to turn Phillips’ poems into a five sense experience. From that, the two birthed Verbo•bala Spoken Video – a multi-media performance art collaborative that features video projections and soundscapes. With their first show a resounding success, Phillips was pushed into further exploring the concepts of “Sonoran Strange,” and fleshing out the initial ideas and storylines.

“There are all these characters that started coming up, like La Llorona and Dave Grindman, and the Indigenous Insurgents and all these – almost hallucinatory spirits, people who would start to make appearances in the poems and in single lines… It’s like, ‘Wait, there’s a whole lot more.’

“If you say La Llorona haunting canals in Scottsdale, there’s a whole lot more there, what are the suburban mothers jogging at 7 a.m. after dropping the kids off at school and they see La Llorona, what’s their expectation, what’s their perception? They (the poems) were just going off into this completely unpredictable, prismatic, splintering of images and characters. Most of that work was done in 2011.”

In the fall of 2011, in the resultant wake of SB 1070 and the cries for boycotts and the realization that boycotts suck for cultural workers – an effort to understand space and place happened with the CulturalStrike delegation. It brought “50 artists from around the country and imported them here for a week and lined them up with all the best cultural actors and movers and shakers in Southern Arizona,” Phillips explains.

Participants were shuttled to the Southside and Nogales and the morgue, giving them a “really intense, visceral understanding with no expectations – just, ‘let it filter into your art, see it, feel it.’

“And that to me was a game changer because it was something I knew to be true, that visceral experience trumps political vitriol and framing. And at one of the events there as an open mic sort of thing and I read the ‘Sonoran Strange’ poem and it just – the energy, it was almost like combustion. The energy – it was the right poem at the right time with the right crowd and people not being from here and giving the response that they gave, gave me a huge energetic push. ‘Oh shit, I really need to double down on this work and see it through.’ That was September 2011. And, for the rest of the year, I was writing five hours a day.”

Phillips’ dedication to his poetic craft and concern for accuracy and balance astutely delves and drills into the history of the Sonoran Desert, pulling apart and ripping open the cover-ups. His words turn it all inside out, taking you out of your understanding, mining the depths and stripping bare what the public education’s core curriculum won’t ever share. Every word is saturated with definition, verses rife with schemes of the privileged and the solemn pain of the disenfranchised.

For example:

Under the terms of Guadalupe Hidalgo,
all Mexicans living in the new United States
were made to cut the treaty
into tiny paper squares
and hold them under their tongues
until they dissolved and the new
reality set in
– An excerpt from Sonoran Strange: Gila

This is for every mouth that once spoke Mexican
and now speaks sand just forty miles
as the vulture files from where we now stand
–  An excerpt from Sonoran Strange: Cuk Son

Who banned the ethnic studies of cacti,
demanding that they learn only the waters of the Potomac
and not to question why the Santa Cruz runs dry,
why the Gila runs dry; what good is the Potomac
if the Colorado runs dry?
–  An excerpt from Sonoran Strange: Carlisle

Homeland of the Chiricahua Apache, homeland of the Huachuca agave.
Where the O’odham were born, where the thunder is born;
psychogeographic landscape of myth. Hollow with limestone caverns,
punctured by prospectors. Lost treasure and endangered species.
Extinct zip codes and boomtowns and the holiest of places.
–  An excerpt from Sonoran Strange: Sky Islands

The release of Sonoran Strange is on Friday, Dec. 5 at Club Congress, 311 E. Congress St., 7:30 p.m. The event includes Logan reading selections of his poetry with Gabrielle Sullivan and Joe Novelli playing tunes. Find more on Logan Phillips at DirtyVerbs.com.

Southern Arizona’s Natural Wonders

December 1, 2014 |

A Show & Tell with Dr. Joaquin Ruiz

Tucson's Gates Pass. Photo: Jamie Manser

Tucson’s Gates Pass.
Photo: Jamie Manser

On a daily basis, most of us are inured to our environment’s incomparable beauty, its rich ecosystems, deep history, and the gorgeous mountains surrounding the Tucson valley. We’re focusing on immediate needs – getting to work, paying rent, buying groceries, taking care of the kids and the pets.

But when we stop our inner nag, breathe deeply and open our eyes, minds and senses to the glorious, mysterious and special Sonoran Desert – it hits us. A dizzying array of input: the vertical relief of the Sky Islands, the expanse of the desert floor, contemplating millions of years of continental plates colliding and drifting, the evolution of flora and fauna, an impossible blue sky and night’s endless stretch of stars – stitched together in constellations of human imagination.

These natural wonders are complemented by first-rate man-made attractions such as the Arizona-Sonora Desert Museum, Biosphere 2 and the Mt. Lemmon SkyCenter. With all of these top-notch attributes, it only makes sense to showcase to the world the astonishing Southern Arizona.

For the last several years, Dr. Joaquin Ruiz – Dean of the UA College of Science and Vice President for Innovation – has shared a vision of Southern Arizona as a destination for international tourism.

“The rugged topography of our region combined with our geographic location between the biological provinces of the Rocky Mountains to the north and Mexico’s Sierra Madre Occidental to the southeast,” Dr. Ruiz wrote in the Arizona Daily Star in 2011, “results in a unique mixing of species that makes our area one of the most biologically diverse in the world.”

During a TEDx Tucson talk in 2013 on this topic, Dr. Ruiz eloquently elucidated that residents of this area “live in an amazing community. We live in a place that has the richest geology, ecology and history and archaeology of all of the U.S. We should find a way to celebrate that because if we celebrate that, I think that we’ll feel much better about our lives.”

Starting at 6 p.m. on Wednesday, Dec. 10, Dr. Ruiz is presenting “The Geotourism Corridor: Southern Arizona’s Gateway to Discovery” during Show & Tell at Playground Bar & Lounge, 278 E. Congress St. Attendees can expect to be engaged and inspired by Dr. Ruiz’s presentation while learning about the beautiful and interesting elements that make Tucson and Southern Arizona an extremely special place to live and visit.

Food and beverages are available for purchase. Show & Tell is hosted by UA’s Confluencenter for Creative Inquiry on a monthly basis. The bridge-building effort strives to connect the community with a wide variety of UA professors’ projects and research through multi-media presentations in the relaxed atmosphere of a Downtown lounge. Get more details on the center and its events at Confluencenter.arizona.edu.

It’s Time for the Old Pueblo to Refresh its Constitution

November 20, 2014 |
City of Tucson. Photo by David Olsen

City of Tucson. Photo by David Olsen

In 1929, when Tucson’s voter-approved City Charter came into effect, there were approximately 30,000 people living here. The Fox Theatre opened that year and the Valley National Bank Building – Tucson’s first skyscraper – had just been built for the staggering cost of $1 million. We had the first library in the state, the first University, and UA football fans had already been whitewashing the “A” on Sentinel Peak for nearly 15 years. We were the first City in Arizona to become “chartered” – which built upon the initiative, referendum and recall powers of our state constitution. The people of the Old Pueblo stepped up to help craft a government by and for the people –with unique Tucson characteristics. Even then, we did not want to be managed by the Arizona State Legislature.

Fast forward to 2014 – we have a City of 525,000 in a metropolitan area of 1 million, and for the most part, nothing has changed in our government structure. We still have six council members and a weak mayor structure. Our elected officials still only receive $24,000 a year – not a livable wage. New high-rises now cost $200 million. Can you imagine our nation’s constitution without any amendments?

Earlier this year, Tucson’s Mayor and Council recognized the opportunity to revitalize our aging form of government, and created a 15 member charter review commission. It’s made up of two appointees from each of the six wards, two from the Mayor and one from the City Manager. Our task? To study our past in anticipation of the future. Do “we the people” have the tools necessary to realize our potential and position our community for a prosperous future?

What does a prosperous future look like? Does it make sense to have a council-manager form of government, or should it be strong mayor and council? Why do we have six different permutations on how to hire and fire Department directors? Why does the City Manager get fired on average every 2.5 years, but other Mayor and Council appointments stay for decades? Does it still make sense to have limited bonding authority at a time when our infrastructure needs fixing? Should we strengthen the role of the arts? Require multi-modal transportation systems?

Tucson’s Mayor and Council have defended our “local” constitution through the courts many times. The Legislature has tried to intervene in voters’ wishes as enumerated in the Charter, but voters’ wishes from the early 1900s have prevailed. Tucson is the only City to have partisan elections, and the only to have ward-only elections in the Primary and citywide in the General Election. We recently fought off a state requirement to hold our elections at the same time as the State.

Voters have approved charter changes. One of the most popular and successful charter amendments is our Clean Elections System, placed on the ballot by Mayor Tom Volgy and passed by voters in 1986.  It is no easy task to amend. An effort in 2011 to increase Council salaries, increase powers of the mayor and limit civil service for department directors did not pass, even though portions of the amendment were widely accepted.  All changes approved by the charter review commission must be placed on the ballot by Mayor and Council, or through a citizen’s initiative, and all must be approved by voters. Our challenge as civic leaders and Tucsonans is to find common ground to move forward.

Dr. Raphael J. Sonenshein, a consultant with expertise in reviewing and amending local government constitutions, has been hired to assist Tucson’s efforts. Features of good Charters include a balance of power, accountability, transparency and celebrating our unique characteristics. No two cities are alike.

Public comments are encouraged at all meetings of the Charter Review Committee – meeting twice monthly now through April. Written comments can be emailed to the City Clerk’s Office – cityclerk@tucsonaz.gov. All meetings are held in the 1st Floor Conference Room at City Hall, 255 W. Alameda.  Visit www.Tucsonaz.gov/

Upcoming Public Meetings (City Hall, 255 W. Alameda, 1st floor):

Thursday Nov. 20, 2014, 4 p.m.

Monday Dec. 15, 2014, 4 p.m.

Thursday Jan 8., 2015, 4 p.m.

Tuesday Jan. 20, 2015, 4 p.m.

Monday Feb. 9, 2015, 4 p.m.

Thursday Feb. 19, 2015, 4 p.m.