MUSIC

KXCI Focuses on the Future

April 1, 2015 |
Cathy Rivers, KXCI's new general manager, in the station's music library. photo: Amy Haskell

Cathy Rivers, KXCI’s new general manager, in the station’s music library.
photo: Amy Haskell

 

It’s mid-morning on a beautiful spring day in late March; I’ve got my car windows down while cruising downtown to KXCI, situated in the historic Armory Park neighborhood. I’m listening to Tucson’s community radio station en route, located on the left end of the dial at 91.3FM. Staff members are in full membership drive mode, pitching away with contagious enthusiasm.

“We’ve come a long way in 31 years,” says Traffic Director Melissa Mauzy through the air waves, and gives a brief overview of the station’s membership growth over the last three decades. “I predict, with the new (transmitter) tower, that we’ll have 4,000 members by 2020!” Currently, KXCI has close to 3,000 members.

Mauzy, who is in the broadcast studio with Membership Director Michelle Boulet-Stephenson, asks what the current drive has brought in so far. “We’re over $26,000,” replies Boulet-Stephenson, adding, “We need to see $28,000 in the rear view mirror!” The goal for this drive is $100,000 in ten days. At day three, on March 25, the station was on track to meet its fundraising mission.

I’m smiling as I look for a place to park, impressed by the ladies’ impassioned, intelligent delivery. As I walk up to the two-story brick building, built in 1904, I recall it was once a hotel/boarding house.

The place is abuzz with activity: phones are ringing, volunteers are answering the calls and donation pledges are being taken. Recently appointed General Manager Cathy Rivers is in the production studio, putting the finishing touches on a couple of station IDs recorded with local music luminaries Brian Lopez and Gabriel Sullivan. It takes a few minutes for us to get situated as Rivers is peppered with questions and updates from staff and volunteers. She handles it all with patient aplomb. While conducting an interview during pledge drive is not ideal, deadlines are what they are and we happily work with it.

After the station’s previous General Manager Randy Peterson stepped down to explore other professional opportunities this past December (he is now the Development Director for the Humane Society of Southern Arizona), KXCI’s Board of Directors – of which I am a member – asked Rivers, the station’s program director and The Home Stretch host, to serve as the interim general manager. Rivers’ performance over the last several months provided the board with the evidence it needed to appoint her as general manager and did so in a unanimous vote on March 19.

Katie Rogerson, KXCI’s board president said, “It was agreed that Cathy is the right person for the job and has the talent, expertise and passion to take KXCI to the next level. Just as important, KXCI is community radio and hiring someone from our own community just makes sense.”

Rivers’ career, primarily in Tucson, spans two decades and includes on air work in both commercial and community radio, along with band management, broadcast and music industry experience. A little known fact is that, in the ‘90s when she worked for Journal Broadcast Group, Rivers was the only female in the country to have a solo morning show on a station that was in the top 20 tier of the market. She’s also been a band tour manager and as a singer/songwriter/guitarist, she’s toured for her own music projects. As a well-known DJ, Rivers has a voice that is equal parts confident, soothing, engaging, inquisitive and sultry, which led her to garnering voice-over gigs.

Rivers’ resume isn’t something she immediately shares, one has to directly ask. Her main focus these days is ensuring the continuation of KXCI’s sound fiscal health, which includes monitoring the progress and completion of the “Amplify KXCI” capital campaign. They are close, and the team’s efforts have enabled the station to thus far raise almost $650,000 toward the $750,000 goal. In conjunction with KXCI’s entire staff, Community Engagement Director Amanda Shauger has been working with Deb Dale of Smith & Dale – the development consulting firm hired by the station – on this campaign.

KXCI“KXCI has never done anything of this fundraising magnitude before,” Shauger explains. “It is a symbol of KXCI’s maturation and moving to the next level. With it, we have an opportunity to plan for the future and stay relevant with both legacy media and new media.”

Some of the station’s objectives are to create avenues to advance both technologically and educationally. This all must be balanced with regular daily operations, managing the dedicated volunteers (which includes 70 volunteer DJs and hundreds of off-air volunteers); along with addressing listeners’ concerns and looking to connect with broader audiences and Tucson’s evolving demographics. As Rivers breaks down the listenership data provided by Arbitron-Nielsen, she shares that the majority of those tuning in – 30,000 weekly – are in the age range of 35 to 50.

“This is a really great family station. Not for kids necessarily, but for families; and one of the things that we don’t do at KXCI are family events.” Speaking with colleagues in the industry gave Rivers the idea to hold dances for families, offering “an opportunity for fathers to dance with daughters and moms to dance with sons.”

We get sidetracked when we see lunch being delivered by Culvers. During the drive, several local businesses have kept the staff and volunteers fed – Beyond Bread, Reforma, Diablo Burger, Tucson Tamale Company, 4th Avenue Deli, to name just a few. We stop to grab some food, and continue chatting while eating.

“For 31 years, KXCI has done a really great job of being a solid station; those who have come before me worked really hard to make it financially sound and worked very hard in getting some solid programming and solid programming concepts. The nice thing is I’m able to lead in a situation where we are in really good health. There are a lot of things that KXCI has not moved forward on where other radio stations are really now way ahead of us and the gap is just getting bigger and bigger. Until we acknowledge that gap and dig in and find out what’s really going on with KXCI, we can’t move the station further.”

Rivers explains that the gap lies in the constant evolution of technology; other stations have on-demand content and podcasts. KXCI is working toward doing those same things within the next several months. Digitizing content and looking at syndicating some of the station’s mini-programs, such as: Flicks, Growing Native, Arizona Trails, and The Weekly Green, is also on the to-do list.

The phone rings several times, Rivers answers it, “KXCI, may I take your pledge please? Oh, yes, let me get him.” She puts the caller on hold, grins and says, “It is ‘Wednesday Call Day,’ it’s for Duncan.” Wednesdays are the days when labels contact Music Director Duncan Hudson to ask if the station is playing their artists. A volunteer walks into her office to grab something off of the printer; a DJ pops her head in to say hi. While a bit distracting, the lively energy is uplifting.

Refocusing, Rivers addresses the broadcasting challenges. “We’re still working on the signal for KXCI. We now sound really great in the northwest and centrally, and we’re still having some issues in the south, we’re working on that. That is on the top of my priority list.”

The new tower was just installed last summer, so the process of working the problem continues to evolve. Shauger is working closely with Rivers and several engineers to find solutions.

Other goals include beefing up the station’s educational components by expanding its summer DJ classes to become year round and adding classes such as voice training, making live mixes and engineering. Having a solid education department will help with grants, a revenue stream they are looking to further mine.

As we wind up the interview, Rivers shares with passion how KXCI differs from commercial radio in the fact that KXCI is actually a part of the music business.

“Commercial radio has nothing to do with the music business. KXCI is a part of the music business because every CD that comes into KXCI gets listened to – whether it is from a 15-year-old down the street or it comes from Warner Bros. Records – every piece of music is given a chance.”

The phone rings again, and I take my cue. Rivers apologies, but it is unnecessary. It is a busy day, and her time needs to be focused on the station. As I leave, I say goodbye to Duncan and wave to Melissa and Michelle and say, “Take it easy!”

They wave back, and Melissa says, “We are, and we’re raising money too!”

Learn more about KXCI at KXCI.org, where the volunteer-produced shows are available for streaming. Listen on the FM dial at 91.3. Check out the website to explore volunteer opportunities, to donate online, and stay tuned for information on the upcoming DJ summer camps for youth.

NMWG 2nd Annual Benefit Show

December 3, 2014 |

NMWG 2nd Annual Benefit Show/Fundraiser for Southern Arizona Lupus Foundation

Amy & Derrick Ross Photo: Jimi Giannatti

Amy & Derrick Ross
Photo: Jimi Giannatti

Sat, Dec 6
Cafe Passe, 415 N. 4th Ave., 6 p.m.-9 p.m. (acoustic songwriters)
Flycatcher, 340 E. 6th Ave., 8:30 p.m.- 1 a.m. (electric bands)
$10/venue or $15 for both

NMWG.org

Musicians from all over Arizona, including: Sedona, Phoenix, Tempe, Tucson and Bisbee will once again converge on Fourth Avenue to take part in a benefit honoring and celebrating the love and talents of Amy & Derrick Ross (also known as Nowhere Man and a Whiskey Girl) to help raise money to help fight lupus. Each performer will be playing their favorite NMWG songs, as well as share their favorite Amy & Derrick moments and stories.

The evening will feature over 30+ bands and musicians who played with, co-wrote, and/or wrote songs for the duo. The all-star lineup includes: Dry River Yacht Club (Tempe), decker. (Sedona), Keli & the Big Dream (Tucson), Lonna Beth Kelley (Phx), Carlos Arzate (Tucson), Sundowners (Tucson), Terry Wolf (Bisbee), Revisor (Phx), Kate Becker (Tucson), Kate Becker and Stuart Oliver (Tucson), Robin Vining (Phx), Laura Kepner Adney (Tucson), Mike Montoya (New Mexico), 8 Minutes To Burn (Tucson), Leila Lopez (Tucson), Brent Miles (Phx), Jillian Bessett (Tucson), Donna Kihl (Bisbee), Sweet Ghosts (Tucson), Bryan Sanders (Tucson), Copper & Congress (Tucson), 8 Minutes To Burn (Tucson), and many more TBA.

Besides music, there is also an online auction featuring items created by some of Arizona’s top artists and craftspersons, as well as vacation packages, autographed CDs, commemorative t-shirts, guitars, and more! The auction, at NMWG.org, runs through Sat, Dec. 13.

On Oct 15, 2013, Amy and Derrick Ross, known to local music fans as Nowhere Man and a Whiskey Girl, both died. She from the effects of long term lupus, and he from a self-inflicted gunshot. The deaths shocked  and saddened fellow musicians, and fans throughout Arizona. The two performed often in Phoenix (where they began their 15 year musical career, and 13 year marriage), and in Tucson, and in their hometown, of Bisbee. Both were active in Arizona’s music scene. Because of Amy’s demand for her every other day dialysis brought on by her decade long battle with lupus, NMWG could not tour nationally. This however did not prevent them fro traveling within the state to perform up to 3-4 times a week for over a decade. This, and their music helped them gain a huge following with Arizona residents and local musicians. Now we want to all give back.                    

 – Jimi Giannatti (friend, organizer, photographer and the Pop Narkotic poster genius)

Rich Hopkins and the Luminarios: “Tombstone”

November 10, 2014 |

Sometimes music speaks to the listener as a songwriter’s personal history and observations.

Sometimes, the pieces of music speak to the listener as a history, as in the history of Tucson or of the Western U.S. With Rich Hopkins and the Luminarios’ latest release, “Tombstone,” the sound and words of the 12 tracks work together and take the listener into a cathartic personal history, and also history writ large. Rich Hopkins and his chief songwriting collaborator Lisa Novak generously share both.

Hopkins wryly observes of the album, “I thought that the whole record would be this weird Western thing, but I didn’t have enough of those songs,” so personal songs, story songs and songs with powerful messages round out the release.

The guitar-driven hard rocking first cut, “Don’t Worry,” entertains, but also lyrically reflects on learning from personal life struggles. Hopkins asks: “Can you let go, can you forgive, can you let your light shine inside?” Some juicy Hopkins guitar riffs punctuate the piece.

"Tombstone" Rich Hopkins & The Luminarios

“Tombstone” Rich Hopkins & The Luminarios

On the title track “Tombstone,” the actual history of this corner of the Southwest is the source material for a dark heavy rocker written from the viewpoint of Ike Clanton, a survivor of the legendary OK Corral shootout in Tombstone, Arizona on October 26, 1881. Clanton survived the shootout but met his end trying to escape arrest for alleged cattle-rustling in June 1887. Lyrics like “me and my brothers, we don’t believe in hindsight,” and Hopkins’ sardonic and accurate reflection that “anyone who drinks whiskey for thirty-six hours straight ain’t gonna make wise choices,” sums up the reckless feel of this cut.

Part-time Luminarios – Alan Anderson on drums, Duane Hollis on bass and Damon Barnaby on lead guitar – keep the power cranking. Hopkins proudly indicates that this song, recorded at Jim Brady’s recording studio in Tucson, was a basic one-take recording.

On track six, “Hang On,” lyrics urging the listener to hope and care, replete with splendid vocal harmonies between Hopkins and Novak, are featured. Hopkins comments that some days and some things are just hard, and “that’s why we need each other, to break the pattern of isolation that manifests in the crazy mind. Sometimes we also need to learn to sit with our uncomfortable feelings and know this too shall pass.”

Cut ten, “Private Shaw,” is particularly gripping. Hopkins and Novak lyrically reflect on the sad and bloody history that is the history of the Western U.S. Indian Wars. Not for the faint of heart, the cut resonates with this lover of history. Hopkins comments that while not drawn from any particular battle or massacre, he drew from many such violent Western encounters. It is followed by a beautiful mournful song, “Mourning Song,” again chock-full of killer lines by Novak. Jon Sanchez contributes some haunting synthesizer work. About Novak, Hopkins says, “she is really a great songwriter and a huge part of the band. I feel so blessed.”

The last cut “Leona’s Song,” is a direct tribute to Lisa Novak’s mother, who was a piano player in a Texas dance band in the 1950s. Arnold Parker, a previous band mate of Leona’s, provides the vocal lead and Leona is imaged dancing in the great beyond as the “angels were waiting their turn to dance with you.”

“We wrote it the night of her service,” says Hopkins about the deeply touching cut. Novak will include the song in a planned book she is writing about her experience with her mother, who fell victim to Alzheimer’s.

Collectively, the album is equal part reflection on personal history, story-telling, and on gripping U.S. Southwestern history. Players include Austin residents and long-time Hopkins collaborators Jon Sanchez on guitar and synthesizer and vocals and George Duron on drums, the aforementioned Lisa Novak on harmony and lead vocals, guitar and percussion; and bass, drum and guitar work by Tucsonans Duane Hollis, Alan Anderson and Damon Barnaby, respectively.

Hopkins opines about his many musician compatriots: “I am really blessed to be surrounded by these great, generous musicians. This was a really big group effort… the best part about it is that.”

Rich Hopkins and the Luminarios perform on the outdoor Club Congress patio, 311 E. Congress St., at 9:30 p.m. on Saturday, Nov. 22 for the Tucson release of “Tombstone.” On Tuesday, Nov. 25, also at Club Congress, the band performs with Chicha Dust and other local acts for the annual Casa Maria soup kitchen fundraiser. For more details, visit RichHopkinsMusic.com.

Celebrating Two Decades of Funk

October 2, 2014 |
Funky Bonz photo courtesy of Brent Kort

Funky Bonz
photo courtesy of Brent Kort

While it may seem like being a musician in a band is a glorious, instantly rewarding, fool-proof way to shine in the spotlight and soak up all of the success that comes with performing on stage and recording albums, the sad truth is that most musical outfits are short lived and only have the lifespan of around two years (if you’re lucky). But despite those dismal odds, some bands are able to rise above the usual cases of inner-band drama, creative differences and musical ennui that typically capsize most groups.

One stunning example lies in Tucson’s very own Funky Bonz, which has been cranking out albums and electrifying live audiences for over 21 years. If that doesn’t impress you, then perhaps taking a listen to the band’s groove-filled, genre-hopping funk will.

Founded in 1991 by singer Brent Kort (who has remained as the only constant member), the group found its niche in the flourishing Tucson music scene as it quickly gained popularity for impressive musicianship and upbeat songwriting.

“Some of our songs have lasted for over 20 years, but our songwriting skills have definitely evolved and I rely a lot on my band members’ talent as well,” reflects Kort. “I love all of my original members, but when I started replacing members when they were leaving, I always gained some extra elements added into the music. At one point we added horns and have been a horn-driven funk band. We’ve seen a lot of different versions of this band, and I am very excited about the current line up we have.”

Merging funk, blues, reggae, rock, jam and dance music into its own personal style, Funky Bonz has made a big name for itself in the Southwest. The band has received six TAMMIES (Tucson Area Music Awards) and have shared the stage with acts such as Bootsy Collins, AWOLNATION, Fishbone, Cherry Poppin’ Daddies, Weapon of Choice, Leftover Salmon, Ozomatli, The Slackers and many other heavy hitters. But even with the success that Kort and Funky Bonz have experienced, the members never let it get to their heads and they remain fixed on why they first began playing music – writing danceable, upbeat songs just for the funk of it.

“I’ve never had any delusions of grandeur with this, and we’ve been through so many stages with this band and endured it all. For a while we were weekend warriors who were always touring the Southwest, though now we’re mainly homebodies, but we do still play out of town every once in a while,” says Kort. “It’s fun to collaborate with other musicians and we’ve never taken ourselves too seriously. We just like to play in front of a crowd and have a good time. I love writing music and I couldn’t ask for better people to share these visions in my head with and perform them out live for people.”

To celebrate its twenty plus years as a band, Funky Bonz released a retrospective album that encompasses the music created by the ensemble over the past two decades titled Buried Bonz: A Recorded History, Volume 1. This pseudo-greatest hits album offers a selection of the best songs from previous records, unreleased material, covers and even new tracks that the band recently recorded in Wavelab Studios. The album is currently available on iTunes.

“We went into Wavelab Studios and we recorded a few new songs for it, so there will be brand new stuff with our new members. I always love going into the studio and I wish I could spend more time in it, but time is money. I love Wavelab and I’ve always loved working in there,” says Kort. “I’ve had great experiences in the studio and this time we brought in guests to play with us on some songs. We were on a short-lived label called ExPat Records, so we made an EP for them that was only released through their distribution, but those songs will be on this. It’ll be a little old, a little new and all funk.”

Funky Bonz will also be celebrating by performing Downtown on Saturday, Oct. 11 at 8 p.m. as part of 2nd Saturdays on the Scott Avenue stage. With a stellar new horn section and a talented line up supporting him, Kort feels that his current lineup is one of his best ever. And if previous concerts serve as any indication, then Funky Bonz’s October 2nd Saturdays performance is one not to be missed.

“We’re going to play a lot of the songs off of our new album starting with our new stuff. We’re really looking forward to it because (2nd Saturdays) is one of the best stages to play at in town and it is really one of the best events in town. There’s always a great crowd that really seem to enjoy live music. Tucson is a great place for music because there are plenty of bars that give bands the opportunity to play for people and there are plenty of bands that come through town to play here. We have a very versatile scene here in Tucson.”

Visit Facebook.com/FunkyBonz for updates on shows and new albums. To purchase the music of Funky Bonz, visit iTunes. See 2ndSaturdays.com for more information on the Oct. 11 event.

Funky Bonz photo courtesy Brent Kort

Funky Bonz
photo courtesy Brent Kort

Copper & Congress’ “Fault Line”

September 12, 2014 |
Copper & Congress  Photo: Jimi Giannatti

Copper & Congress
Photo: Jimi Giannatti

Vocals by a siren/oracle, a perfect balance of bass and understated drumming comprise Copper and Congress’ sound and the trio of amazing musicians conjure magic on Fault Line.

There’s glorious, haunting sparseness – a sparseness that is just one element constituting the album’s many auditory seductions. There’s exquisite, measured tension and release that teeters and edges and splashes and dives into soulful, jazzy bliss. The moody album is beautifully recorded and produced and reflects the live performances with its dark, wry emotional pull.

Copper and Congress celebrates its sophomore release on Saturday, Sept. 13 at Flycatcher, 340 E. 6th St., with Sweet Ghosts and Steff and the Articles joining the bill. The show starts at 9 p.m.

Singer Katie Haverly discusses the album, the band’s history and upcoming tour in the following Q&A.

According to the band’s website, (bassist) Patrick Morris is a Tucson native, you hail from upstate New York and (drummer) Julius Schlosburg comes from Baltimore. How long have you two non-natives been in Tucson and what brought you two here?

I have been in Tucson for about three years now and Julius the same. I just got back from traveling for about six months around the world and settled on Tucson with my ex. Julius’s girlfriend was accepted into a graduate program at U of A and that’s why he is here.

How/when did the three of you coalesce into Copper & Congress? What drew the three of you together?

(Bassist) Patrick Morris and I started playing together about two and a half years ago from an open mic night encounter. Julius auditioned for the band about a year ago after we lost our original drummer. We all vibed musically and were serious about making this band a priority.

The album sounds great! Clean without coming off as over produced. It is very true to the live shows. What drew the band to recording at Wavelab? How long was the process – from songwriting, to recording, mixing to pressing and release?

Thanks! We recorded our first album at Wavelab and loved the selection of instruments and equipment there. We figured the second time we would be familiar with the space/process and feel comfortable creating there. This album has been about a year in the making. We spent about 10 days recording in the studio over three different sessions starting in January, mixing for another four to five days and then mastering. The songs were composed over the last year and a half, we were writing still even as we were in the studio so we were capturing the newest compositions while they were fresh.

What are the band members’ musical backgrounds? Was there formal schooling, self-taught, etc? How long has everyone been playing music? Looks like everyone is a multi-instrumentalist!

I started playing guitar about 20 years ago, and have been singing ever since I was a child – starting in choirs, musicals, etc. I wrote my first song in college and was self-taught in every way. I have been recording and performing as a singer songwriter for the last 17 years and have three solo records that I recorded before the incarnation of this band. I’ve been playing the keyboard avidly for about two years now.

Patrick started on the piano when he was 8, and picked up the bass when he was 12, so he’s been playing bass for about 11 years. He was classically trained in marimba and vibraphone while in high school and toured Europe with the Arizona Ambassadors playing orchestral music when he was 15. He’s played in metal bands, fusion groups, jazz ensembles, and studied with bassists Victor Wooten, Chuck Rainey, and Anthony Wellington.

Julius has been playing drums for about 15 years. He has had training from several teachers on and off for most of that time, and was a member of a jazz trio in Baltimore. He’s also been a part of several Maryland and Tucson rock bands over the years.

Copper & Congress  Photo: Jimi Giannatti

Copper & Congress
Photo: Jimi Giannatti

What different influences do the members bring to the table? What bands/artists would you say Copper & Congress rips off the most?

We are all coming from different musical backgrounds so it’s pretty interesting to see the spread of genres, although we are all influencing each others tastes at the same time! The artists that I love the most right now are Hiatus Kaiyote and Laura Marling. I’ve always loved especially gifted singer-songwriters like Joni Mitchell and Leonard Cohen. Patrick is into Robert Glasper, D’Angelo, J Dilla, and Erykah Badu. Julius is into the heavy stuff like Herbie Hancock, Mahavishnu Orchestra, etc. I think we probably sound a lot like Portishead, maybe a little Erykah Badu, Hiatus Kaiyote, and Joni Mitchell in there too.

What music styles do the individual band members dig the most and is that reflected in the styles Copper & Congress brings forth?

Patrick listens to a lot of hip-hop and R&B, and Julius is big into the post-bop and jazz fusion scenes, and there is some of that mixed in to our music. I really have gotten a lot more into more groove based music since I met Patrick, but I am always a sucker for the intellectual, emotional beautiful singer songwriter.

Do y’all have day jobs? I ask because I see that the band is on tour in October and November. It’s a wide-ranging tour! From Hermosillo to Seattle! Is the band comprised of road warriors or is the band flying to these different locales?

Yes, as of right now we each have day jobs. I am a certified life coach that primarily works with creative artists, Patrick works at a music store, and Julius works in IT. We’re definitely road warriors. We love to get to see the different environments and beautiful ecosystems of the country we live in while traveling to play music! Also flying is hideously expensive with gear.

The album’s liner notes show that you wrote all of the songs. Is that inclusive of the lyrics and the music? Is the music scribing a collaborative process?

Most of the songs on this record I wrote the music and lyrics for except Deja Vu where Rey contributed the lyrics for his verse and Patrick came up with the chord progressions and feel. Whenever I write a song and present it to the band though, it is always open to change and reformation. I love collaborating on arrangement and feel and the guys always have a lot of interesting and worthwhile ideas.

What kind of mood/state are you in when you write? What inspires your songs?

I think the mood/state depends on the song. I am the type of person that feels things very deeply and really love to observe people and the environment I’m in. So often the combination of these two traits leads me to impulses and ideas I want to express through music and words to process a feeling, experience, realization or observation. Recently I have become very interested in the idea of vibrationally emitting messages that affect our audience in a very positive, nurturing, uplifting and informed way and my writing is tending to lean in that direction instead of the deeply personal and exposing songs I have often written in the past. Writing helps me process what it means to be human in a deeply satisfying way

How often does the band practice and gig?

We try and get together at least once a week to shed old material and work on new stuff. Often though we will practice four or five times in a week if we don’t have any gigs lined up. Usually we have at least four gigs a month regionally.

What else would you like to share?

Just that we love each other and we love the gift of music and the opportunity to share it with others. It is truly a lifelong path for each of us and we feel so blessed to have found each other and to have the chance to share what we are learning.

More information on Copper and Congress is at CopperandCongress.com. The Saturday, Sept. 13 show details are on Facebook here.

Copper & Congress  Photo: Jimi Giannatti

Copper & Congress
Photo: Jimi Giannatti

 

Music Sept 2014

August 31, 2014 |

Schedules accurate as of press time. Visit the websites or call for current/detailed information.

Domingo Degrazia & band perform at 2nd Saturdays, Sept. 13. Photo: Jade Beall

Domingo DeGrazia & band perform at 2nd Saturdays, Sept. 13.
Photo: Jade Beall

2ND SATURDAYS DOWNTOWN 
Congress Street, 2ndSaturdaysDowntown.com
Sat 13: The Vexmen, Belly Dance Tucson, Domingo Degrazia, Kevin Pakulis Band

ARMITAGE WINE LOUNGE AND CAFE
2905 E. Skyline Dr #168. 682-9740, ArmitageWine.com
Tue 2: Tommy Tucker
Sun 7: Carlie & Cameron
Tue 9: Ashbury
Sun 14: The Hot Club of Tucson
Tue 16: The Bryan Dean Trio
Sun 21: R & P Music Factory
Tue 23: Naim Amor
Sun 30: Special Performance

AVA AMPHITHEATER at Casino Del Sol
5655 W. Valencia Rd. CasinoDelSol.com
Sat 13: Marco Antonio Solis

BOONDOCKS LOUNGE 
3306 N. 1st Ave. 690-0991, BoondocksLounge.com
Sundays/ Tuesdays: Lonny’s Lucky Poker
Mondays: The Bryan Dean Trio (except Mon, Sept 29)
Wednesdays: Titan Valley Warheads
Thursdays: Ed Delucia Band
Fri 5: Angel Diamon & The Blues Disciples
Sat 6: Straight Shot Again
Sun 7: Heather Hardy & Lil’ Mama Band
Fri 12: Equinox
Sat 13: Johnny Ain’t Right
Sun 14: Kevin Pakulis Band
Fri 19: Jacques Taylor & The Real Deal
Sat 20: Heather Hardy & Lil’ Mama Band
Sun 21: Last Call Girls
Fri 26: Anna Warr & Giant Blue
Sat 27: Whole Lotta Zep!
Sun 28: Black Skillet Revue
Mon 29: Mitzi & The Valiants

BORDERLANDS BREWING
119 E. Toole Ave. 261-8773, BorderlandsBrewing.com
Thu 4: Widows Hill
Fri 5: Stefan George
Sat 6: Mustang Corners
Thu 11: Science Cafe- Stephanie Doerries
Fri 12: The Guilty Bystanders
Sat 13: Tortolita Gutpluckers
Fri 19: V. Lundon & Tell Me Something Good
Sat 20: Tommy Tucker
Thu 25: Louise Le Hir
Fri 26: Aztral Folk

CAFE PASSE
415 N. 4th Ave. 624-4411, CafePasse.com
See website for details.

CLUB CONGRESS 
311 E. Congress St. 622-8848, HotelCongress.com/club
Mon 1: Lenguas Largas & White Night
Wed 3: Ty Seagall
Fri 5: Cracker & Camper Van Beethoven
Mon 8: Mini Mansions
Thu 11: Haunted Summer & Human Behavior
Fri 12- Sun 14: Tucson Fringe Festival
Wed 17: Sebadoh
Thu 18: Laura Kepner- Adney & The Killed Men
Thu 25: Metalachi
Fri 26: Brian Lopez
Sat 27: Brian Lopez and Friends
Mon 29: Jeff The Brotherhood

LA COCINA
201 N. Court Ave. 622-0351, LaCocinaTucson.com
Sundays: Mik and the Funky Brunch
Saturdays: DJ Herm, Harpist
Wednesdays: Miss Lana Rebel and Kevin Michael Mayfield
Thursdays: Stefan George
Fridays: The Greg Morton Band
Wednesdays: Miss Lana Rebel and Kevin Michael Mayfield
Sat 6: Wayback Machine
Sat 20: NuNu Fridays

CUSHING STREET BAR & RESTAURANT
198 W. Cushing St. 622-7984, CushingStreet.com
Saturdays: Jazz

DELECTABLES RESTAURANT & CATERING
533 N. 4th Ave. 884-9289, Delectables.com
Fridays and Saturdays: Live music

THE FLYCATCHER
340 E. 6th St. 207-9251, TheFlycatcherTucson.com
Thu 4: Bob Log III

Mavis Staples performs at Fox Tucson Theatre on Fri, Sept 5.  A benefit show for KXCI 91.3FM community radio. Photo: Chris Strong

Mavis Staples performs at Fox Tucson Theatre on Fri, Sept 5.
A benefit show for KXCI 91.3FM community radio.
Photo: Chris Strong

FOX TUCSON THEATRE 
17 W. Congress St. 624-1515, FoxTucsonTheatre.org
Fri 5: Mavis Staples
Fri 12: Restless Heart
Sun 28: Get the Led Out

HACIENDA DEL SOL
5501 N. Hacienda Del Sol. 299-1501, HaciendaDelSol.com
Sun 7: Kathy Davis & The Groovetones
Sun 14: Black Skillet Revue
Sun 21: TBA
Sun 28: Zo & The Soul Breakers

MONTEREY COURT
505 W. Miracle Mile, MontereyCourtAZ.com
Wed 3: Peter McLaughlin & Alvin Blaine
Sun 28: Kathy Davis & The Groove Tones

ORO VALLEY CONCERT SERIES 
Venues vary, 797-3959. SAACA.org
Thu 11: Gabriel Ayala
Fri 26: Jazz Legends Live

PLAYGROUND TUCSON
278 E. Congress. 396-3691, PlaygroundTucson.com
See website for details.

RIALTO THEATRE
318 E. Congress St. 740-1000, RialtoTheatre.com
Wed 3: Feed Me Teeth
Fri 5: Run Boy Run & Ryanhood
Sat 6: Maria Bamford
Tue 9: Porter Robinson
Thu 11: Salif Keita
Thu 18: Lil Jon
Fri 19: Boogie On The Bayou- Featuring Marcia Ball and Terrence Simien
Tue 23: Kaiser Chiefs
Wed 24: Problem
Thu 25: Buckwheat Zydeco
Sat 27: Raul Midon and Gaby Moreno

SEA OF GLASS CENTER FOR THE ARTS
330 E. 7th St. 398-2542, SeaOfGlass.org
Sat 27: K-Bass and Farafina Musiki

SKY BAR TUCSON
536 N. 4th Ave, 622-4300. SkyBarTucson.com
Thu 4: Latin Surf Rock Night- Justin Valdez Y Los Guapos
Thu 18: Americana & Roots Night- Justin Valdez, Stephen Howell and Adam Block.

Temenos Quartet plays at the Galactic Center on Sat, Sept 20.  Photo courtesy Kati Astraeir

Temenos Quartet plays at the Galactic Center on Sat, Sept 20.
Photo courtesy Kati Astraeir

SOLAR CULTURE
31 E. Toole Ave. 884-0874, SolarCulture.org 
Tue 2: Mother Falcon
Wed 17: Zeahorse
Sat 20: Temenos Quartet at the Galactic Center

ST PHILLIPS PLAZA
St. Phillip’s In The Hills Episcopal Church, 4440 N. Campbell Ave. 222-7277, FriendsOfMusicTucson.org
Sun 7: Esperanza Chamber Ensemble

SURLY WENCH PUB
424 N. 4th Ave., 882-0009, SurlyWenchPub.com
Fri 5: Black Cherry Burlesque
Sat 6: Electro-Boom
Fri 12: Lariats
Sat 13: Fineline Revisited
Fri 19: Burlesque for the Soul
Sat 20: Club Sanctuary
Sat 27: Fineline Revisted

TAP & BOTTLE
403 N. 6th Ave.,344-8999, TheTapandBottle.com
See website for details.

 

Run Boy Run’s “Something to Someone”

August 31, 2014 |
Run Boy Run Photo courtesy Run Boy Run

Run Boy Run
photo courtesy Run Boy Run

The quintet comprising Run Boy Run is a tightly knit group, playing together since 2009 when they blended as a band through that most-common connection vehicle in greater Tucson, the UofA. Driven by virtuoso fiddle, cello, stand-up bass, guitar, and, above all, beautiful melodies and unearthly female vocal harmonies, they’ve carved a regional name for themselves squarely at the intersection of bluegrass, Americana, folk and classical.

Friday, Sept. 5 sees the CD release party for “Something for Someone,” an eleven-track recording that is deep, complex, and often melancholy; ten of which are original compositions. Recorded in Seattle and released on their own Sky Island Records label, the second full-length album finds the band displaying the instrumental virtuosity that characterized last year’s release “So Sang the Whippoorwill,” with a songwriting maturity.

Violin, guitar player and band manager Matt Rolland addresses the band’s songwriting process: “We approach songwriting individually, but song-arranging collaboratively. We have five songwriters in the band. The songs (on this album) are largely born out of our first national tour in 2013, traveling 25,000 miles in two and a half months. We all wrote songs on the road and after we returned home… we were hungry to get together and work up band versions of those songs.”

The album was constructed from those songs, and taken from bare idea to fully arranged and recorded in two months. “It was an experiment of sorts to try to do the album the way we did – learning all those new songs, arranging them, and then recording them – in a two month period. The end product is a testament to the group’s creative process and also a painting of where we are at right now as musicians and songwriters,” elucidates Rolland.

The band connections run deep with Rolland married to Bekah Sandoval – writer, fiddler, guitarist and one of three female power-house vocalists in the group – her songwriting sister Jen Sandoval also sings and plays mandolin; and cellist, vocalist, and Rolland’s sister Grace Rolland is also a part. The band is rounded out by bassist Jesse Allen.

“At the end of the day, it helps to be related because you’re committed to putting back together whatever is broken. There’s a shared history with siblings that is just a reality for us – it helps in some ways and challenges us in just as many ways. Fortunately, nothing has been broken that badly in the band other than a collarbone and an ankle,” Rolland gratefully states.

Run Boy Run Album CoverNotable album tracks include The Lord Taketh Away and Heavy the Sorrow – both require more than one listen! On these cuts, the writers are clearly pulling deeply from the sad proud Americana tradition of composing slower, heart-wrenching songs about betrayal, death, loss, and faith.

Third track Dream in the Night is a lilting melancholy number which could have been composed after walking Tucson’s North 4th Avenue, and to the listener, begs the question: Was it?

“In a way, it was,” Rolland explains. “Bekah (Sandoval) wrote this song while we were on the road, missing Tucson. The imagery comes from the Dia de los Muertos parade that takes place downtown. We recorded this song live at the studio – one of the only songs on the album we did this way. We wanted to sound like you could be hearing it in a club, lights low, candles flickering… (a) sensory experience reflective of the parade itself – sights, sounds, colors, and music in all directions.”

If one has experienced Tucson’s soul-stirring All Souls Procession, which Rolland references, that feeling rings true through the cut.

There are also foot-moving toe-tappers here. Song six, an instrumental entitled Sunday for Larks, has a classical chamber-music feel and a dance feel at the same time. And the last track on the release, is both sad, emotionally, and moving, physically, as the lyrics of Far From My Home carry us through the ultimately fruitless empty search for love away from home, and, as the tune progresses to the second and final movement of the piece, called The Lion and the Fawn, a dance again breaks out for the listener, who is sent away from the listening experience with a spring in their step.

The band is definitely gaining national exposure. By the end of 2014, they’ll have logged six regional tours at years’ end, performing over one hundred live shows. From Sept. 3 through Nov. 16, Run Boy Run will perform twenty-one times in ten different states.

“We’ve learned that three weeks is our ideal tour length; much longer and our voices wear out, limbs get tired, we get road-weary,” says Rolland. “We’ve learned that booking a balance of show types on tour – clubs, festivals, concerts, house concerts, radio spots – helps us come away feeling energized from a tour.”

Catch them before they hit the road again!

Run Boy Run performs on Friday, Sept. 5 at the Rialto Theatre, 318 E. Congress St., along with Ryanhood before embarking on its ten state odyssey. The official release date for the album is Oct. 28. Pre-orders CD, digital or vinyl are available at RunBoyRunBand.com. For more show details, see RialtoTheatre.com.

Peter Frampton Plays Ring Master

July 22, 2014 |
Peter Frampton opens for Deep Purple at Le Zenith on October 20, 2013 in Paris, France. Photo: David Wolff - Patrick/Redferns via Getty Images

Peter Frampton opens for Deep Purple at Le Zenith on October 20, 2013 in Paris, France.
Photo: David Wolff – Patrick/Redferns via Getty Images

Forget about Ringling Brothers’ “Greatest Show On Earth!” Peter Frampton’ Circus — his Guitar Circus, to be precise — is much more bad-ass with its guitar-shredding virtuosos like B.B. King, Buddy Guy and Robert Randolph on board.

Now in its second year, Frampton says the concept for the tour-in-three-parts grew simply out of “woodshedding on an idea” with his manager Ken Levitan for something to follow the 2010-11 Frampton Comes Alive 35th Anniversary Tour. Says Frampton, the reaction to the that tour was so overwhelmingly positive that they “decided that we had to do something thematic so that I could compete with myself… and to have something that was a little bit more interesting than just another Peter Frampton concert.” Frampton explains that he simply “wanted to have as many guitarists as (we) could possibly have on the stage” for the next round of shows. Levitan came up with the name. The rest is legend.

Frampton is as thrilled about the show’s lineup as any of his fans might be, and he credits B.B. King for the long list of A-listers that made appearances along the way last year. “We put the idea out there…and lo and behold, immediately the first call that we got back was from B.B. King,” he says.

After that, Frampton says the phone was “ringing off the hook” with interested artists like Vince Gill, Robert Cray and Kenny Wayne Shepherd — guitarists in every genre from jazz to pop. Frampton says that the plan with the Circus was to celebrate “guitars in general,” and so the abnormal lineup of legends was more than welcome. It also has the effect of providing a chance for fans to see something new at each show. Last year, says Frampton, “(Jazz legend) Larry Carlton and (Cheap Trick’s) Rick Nielsen played with me on the same night, and you can’t get more different than those two.”

Frampton’s 1976 album Frampton Comes Alive, which spawned such hits as “Baby I love Your Way” and “Do You Feel Like We Do,” is one of the top best-selling live albums of all time. Though famous for his heavily synthesized sound, the ideology of diversity associated with the Guitar Circus tour has bled over into other arenas of his career. His most recent album, Hummingbird in a Box (released June 2014) was actually written with long-time collaborator Gordon Kennedy as a performance piece for the Cincinnati Ballet. Much like while jamming on stage with music’s biggest superstars, when writing music for dance Frampton says, “the rules go out the window. Because you’re not writing for radio… it can be whatever I want at any given point.”

This as opposed to constantly conforming to the rigid production standards of radio-ready music. Which employer would you prefer?

The August 31 show at AVA Amphitheater marks the end of the first leg of the 2014 Guitar Circus tour and Frampton promises that the guys that night will be “going out with a bang.” It seems Frampton himself is as pumped for the Tucson show as anyone. Since scheduling often prevents multiple big names from showing up to play at every stop on the tour, Frampton says that having King, Guy, Randolph and himself all at the same show is “pretty heavyweight… to get them all together in one night is a coup.”

Lucky us. A word of advice for concert goers: bring earplugs with you if you don’t want your head to explode.

Peter Frampton’s Guitar Circus comes to Tucson’s AVA Amphitheater, 5655 W. Valencia Rd., on Sunday, Aug. 31 at 6 p.m. Tickets and more info available at FramptonsGuitarCircus.com and CasinoDelSolResort.com/ava-amphitheater.

 

“Sunrise for Everyone”

July 18, 2014 |

La Cerca Promises & Delivers

Sunrise for Everyone FI

Andrew Gardner is a driven musician. He has placed his songwriting and performing ambitions in the vessel of La Cerca, his musical project of choice, for over a dozen years.

Now, at long last, many pieces of rock orchestration and musical prestidigitation which have heretofore only been available to those that catch a live La Cerca show can be enjoyed away from a venue with the upcoming release of Sunrise for Everyone.

This nine-cut full length album of newly recorded songs, recorded and mixed at Waterworks Studio, is a hat full of weather, storm clouds, and shimmering light and dark. Gardner’s lyrics are a real treat. You are not quite sure what words you just heard, but you like them just the same. The guitar work, principally by Gardner but ably augmented with work by Bill Oberdick, Malcolm Cooper and Kevin Dowling, is sterling.

There are pop cuts, like the breezy “Arizon,” and the title cut “Sunrise for Everyone,” and songs heavy with hooks and killer choruses, like “Sorry XO” and “Climate Control,” where Gardner channels summer in Southern Arizona, as he sings “here are the days of impossible shade, the sun shines so deep. The warmth infiltrates your dreamtime escape, can’t runaway so sweet, you will come alive, the sun will shine, accordingly.”

Gardner is prolific enough musically that he admits that many of the songs on the album were out of rotation in the typical La Cerca set he and his bandmates had been playing, and “now we are getting into playing them again.”

The current line up has Andrew Gardner on vox and lead guitar, Bill Oberdick on rhythm guitar, Roger Reed on drums and Boyd Peterson on bass. Eight different musicians and seven different backing vocalists contribute, but “Sunrise for Everyone” is Gardner’s baby.

“Sunrise for Everyone” is set to release on Fort Lowell Records on July 29. The local release party will happen at Tucson’s own Club Congress on Friday, August 15, and La Cerca will journey to our large and hot neighbor on August 25 to play a show at Phoenix’s Crescent Ballroom. The band has gigs currently booked for late July in California, and, hopefully, further up the coast, before returning home for the Congress and Crescent shows.

Catch La Cerca at Club Congress on Friday, August 15 at 9 p.m. Opening the show are: Numb Bats, Burning Palms and Electric Blankets. For more info go to HotelCongress.com, or visit FortLowell.blogspot.com.

Music July/Aug 2014

June 30, 2014 |

Schedules accurate as of press time. Visit the websites or call for current/detailed information.

Ronstadt Generations perform at 2nd Saturdays Aug 9. Photo: C. Elliott

Ronstadt Generations perform at 2nd Saturdays Aug 9. Photo: C. Elliott

2ND SATURDAYS DOWNTOWN 
Congress Street, 2ndSaturdays.com
Sat, July 12: Barbara Harris Band, Carlos Arzate & The Kind Souls, Five Way Street, Tucson Circus Arts
Sat, Aug 9: Heather Hardy & The Lil’ Mama Band, I See Hawks In L.A., Ronstadt Generations, Tucson Circus Arts

ARMITAGE WINE LOUNGE AND CAFE
2905 E. Skyline Dr #168. 682-9740, ArmitageWine.com
JULY
Tue 1: Tommy Tucker
Sun 6: Steff Koeppen
Tue 8: Ashbury
Sun 13: The Hot Club of Tucson
Tue 15: The Bryan Dean Trio
Sun 20: R & P Music
Tue 22: Naim Amor
Sun 27: Jillian Besset
Tue 29: Justin Martinez

AVA AMPHITHEATER at Casino Del Sol
5655 W. Valencia Rd. CasinoDelSol.com
JULY
Thu 3: Kid Rock
Sat 5: Jeff Dunham
Sat 12: Espinoza Paz
Wed 23: Boston
AUGUST
Sat 2: Los Tigres del Norte
Wed 6: Counting Crows
Sat 9: Prince Royce
Sun 31: Peter Frampton, B.B. King and Buddy Guy

BOONDOCKS LOUNGE 
3306 N. 1st Ave. 690-0991, BoondocksLounge.com
Sundays/Tuesdays: Lonny’s Lucky Poker
Mondays: The Bryan Dean Trio
Wednesdays in July: Titan Valley Warheads
Thursdays in July: Ed Delucia Band
JULY
Fri 4: Jacques Taylor & The Real Deal
Sat 5: Equinox
Sun 6: The Dusty J Blues Band
Fri 11: Anna Warr & The Giant Blue
Sat 12: Straight Shot Again
Sun 13: Mainstreet with Brian Ashby
Fri 18: Johnny Faber & The Road Kings
Sat 19: The Fremonts featuring Might Joe Milsap & Heather Hardy & Lil Mama
Sun 20: Last Call Girls
Fri 25: The Real Deal with Lexa Raquel
Sat 26: The Coolers
Sun 27: Ned Sutton & Last Dance
AUGUST
Sat 2: Equinox
Sun 3: Heather Hardy & Lil Mama Band
Sat 9: Straight Shot Again
Sun 17: Last Call Girls
Sun 24: Ned Sutton & Last Dance

BORDERLANDS BREWING
119 E. Toole Ave. 261-8773, BorderlandsBrewing.com
JULY
Thu 3: Louise Le Hir
Sat 5: Mustang Corners
Thu 10: Joe Novelli
Fri 11: Ray Clamons & The Swamp Funk Volunteers
Sat 12: Tortolita Gutpluckers
Thu 17: Stephanie Meryl Jensen
Fri 18: The Bennu
Sat 19: Stefan George
Thu 24: Will Johnson
Fri 25: Leila Lopez Band
Sat 26: The Clam Tostada
Thu 31: Andy See & His Swingin’ Jamboree
AUGUST
Fri 1: Tommy Tucker
Sat 2: Mustang Corners
Sat 9: Tortolita Gutpluckers
Fri 15: Lydian Osman
Fri 22: Bob Einweck
Sat 23: Buffelgrass Band

CAFE PASSE
415 N. 4th Ave. 624-4411, CafePasse.com
See website for details.

King Buzzo (of The Melvins) performs at Hotel Congress on Wed, July 30.  Photo from Nuvo.net

King Buzzo (of The Melvins) performs at Hotel Congress on Wed, July 30.
Photo from Nuvo.net

CLUB CONGRESS 
311 E. Congress St. 622-8848, HotelCongress.com/club
Sundays: Ynot Karaoke
Mondays: 90s House Party (dance)
Tuesdays: Geeks Who Drink Pub Quiz
Thursdays: Opti Club
Saturdays: Saturdaze Dance Party
JULY
Wed 2: Horse Black
Thu 3: Opti Club
Sat 5: The Dear Hunter
Wed 9: Whiskey Shivers
Fri 11: Godhunter
Wed 16: Lariats & Coma Prevail
Sat 19: El Ten Eleven
Mon 21: !!!
Fri 25: Lyrics Born
Sat 26: Boris
Wed 30: King Buzzo
AUGUST
Fri 1: North Tour Kickoff
Sat 2: Steff & The Articles
Fri 8: Mike Stud
Fri 15: La Cerca Record Release

LA COCINA
201 N. Court Ave. 622-0351, LaCocinaTucson.com
Saturdays: DJ Herm, Harpist
Wednesdays: Miss Lana Rebel & Kevin Michael Mayfield
Thursdays: Stefan George
Fridays: The Greg Morton Band
JULY
Tue 8: Mik and the Funky Brunch
Sun 20: NuNu Fridays
AUGUST
Fri 8: Mik and the Funky Brunch
Wed 20: NuNu Fridays

CUSHING STREET BAR & RESTAURANT
198 W. Cushing St. 622-7984, CushingStreet.com
Saturdays: Jazz

DELECTABLES RESTAURANT & CATERING
533 N. 4th Ave. 884-9289, Delectables.com
Fridays and Saturdays: Live music

FLYCATCHER
340 E. 6th St. 207-9251
JULY
Wed 23: Nina Diaz
AUGUST
Fri 1: Zepparella
Mon 11: The Life and Times

HACIENDA DEL SOL
5501 N. Hacienda Del Sol. 299-1501, HaciendaDelSol.com
JULY
Sun 6: The Jive Bombers
Sun 13: Kathy Davis & The Groovetones
Sun 20: Hans Olson
Sun 27: Amosphere
AUGUST
Sun 3: TBA
Sun 10: Angel Diamond & The Blues Disciples
Sun 17: Mike Hebert & The Kings of Pleasure
Sun 24: Heather Lil Mama Hardy and Michael P.
Sun 31: TBA

MAIN GATE CONCERT SERIES 
814 E. University Blvd., SAACA.org
JULY
Fri 11: Reno Del Mar
Fri 25: ForTheLuvvaMusic
AUGUST
Fri 8: Nick Stanley
Fri 22: Kelland Thomas

MONTEREY COURT
505 W. Miracle Mile, MontereyCourtAZ.com
JULY
Wed 2: Peter McLaughlin & Nick Coventry
Thu 3: Dash Pocket
Sat 5: Kevin Pakulis Band
Sun 6: The Blue Music; Eric Schaffer & Ed Delucia
Tue 8: Gabriel Francisco
Thu 10: Borderland
Sat 12: Haywire
Tue 15: Janice Deardorf
Wed 16: Sally & Shiloh Spoo
Fri 18: Matt Campbell
Sat 19: Little House of Funk
Wed 23: Neil & Lisa McCallion
Thu 24: B. Sterling
Fri 25: Hal Jackson & Rockers Uptown Reggae
Sat 26: Rod Annon & The Late Show
Sun 27: Caña Brava, Kathy Davis & The Groove Tones
Wed 30: Dohse w/ Eric Schaffer & Ed Delucia
Thu 31: Hans York
AUGUST
Sat 2: Mark Stuart
Fri 8: Bluz Nite
Sat 9: Key Ingredients of African Soul

PLAYGROUND TUCSON
278 E. Congress. 396-3691, PlaygroundTucson.com
See website for details.

Lila Downs performs at Rialto Theatre on Mon, Aug 25.  Photo via RialtoTheatre.com

Lila Downs performs at Rialto Theatre on Mon, Aug 25.
Photo via RialtoTheatre.com

RIALTO THEATRE
318 E. Congress St. 740-1000, RialtoTheatre.com
JULY
Tue 8: Guitar Gods 2014: Feat. Yngwie Malmsteen, Uli John Roth, Gary Hoey & Bumblefoot
Sat 12: K-Bass
Sat 19: The Ohfishl 520 Mixtape Release
Fri 25: Peter Murphy: “Lion” North America Tour 2014
Sat 26: Tea in the Sonora: A Tribute to The Police
AUGUST
Sat 2: 311
Sun 3: Kenny Wayne Shepherd and Los Lonely Boys
Tue 5: Ottmar Liebert
Thu 7: Jagermeister presents Eli Young Band
Sat 9: Frankie Ballard The Cadillac Three
Mon 11: YES, The Life & Times
Tue 12: Iron and Wine
Thu 14: Kid Ink
Fri 15: The Hope Revolution Tour w/Hawthorne Heights
Fri 22: The Farewell Tour of Queensryche starring Geoff Tate
Sat 23: Galactic
Sun 24: Miranda Sings with Colleen Ballinger
Mon 25: Lila Downs
Thu 28: Blackberry Smoke
Sun 31: Doyle, Atmosphere: North of Hell Tour

SEA OF GLASS
330 E. 7th St. 398-2542, SeaOfGlass.org
Sun, Aug 17: Pato Banton & The Now Generation
Sat, Aug 23: VansGuard w/Israfel Awakened
Sat, Aug 30: Gabriel Ayala Trio CD Release Concert

SOLAR CULTURE
31 E. Toole Ave. 884-0874, SolarCulture.org
Sat, July 19: Sculpting the Head – with Steven Eye

SURLY WENCH PUB
424 N. 4th Ave. 882-0009, SurlyWenchPub.com
JULY
Thu 3: Bricktop/ Rat City Riot
Fri 4: Black Cherry Burlesque
Fri 11: Haymarket Squares
Sat 12: Black Cherry Burlesque
Sat 26: Fineline Revisited