Tag: KXCI

KXCI Celebrates International Clash Day

January 31, 2017 |

“This is a public service announcement, with guitar!”
Know Your Rights, The Clash, 1982

Joe Strummer of The Clash, London Calling Tower Theater Show on March 6, 1980. Photo: John Coffey via Flickr.com

Joe Strummer of The Clash, London Calling Tower Theater Show on March 6, 1980.
Photo: John Coffey via Flickr.com

It’s been four years since Seattle’s KEXP 90.3 FM DJ John Richards declared Feb. 7 as International Clash Day, and a year since Seattle’s mayor created an official proclamation to honor The Clash on that day. Subsequently, six other cities have jumped on this punk rock proclamation bandwagon, including: Austin, San Francisco, Washington D.C., Vancouver B.C., Bridgwater U.K. and Tucson.

The date doesn’t hold special meaning in the British band’s history; Feb. 7 was just a happy happenstance of Richards spinning the band’s tunes one morning in 2013 and a listener asking him to keep The Clash’s tracks coming. However, it is the timing of the other communities getting onboard that feels significant considering the country’s current political state and the still exceedingly apropos, sneeringly poignant political songs The Clash wrote between 1976-1986.

“I think right now the spirit of The Clash and the spirit of Joe Strummer’s views ring true to a lot of cities not happy with the direction the last election went,” Richards wrote via email. “I also think some of the leaders in these cities are of an age that they clearly remember their own love of The Clash… or at the very least the respect they have for their work.”

Locally, KXCI 91.3 FM Director of Content and Home Stretch DJ Hannah Levin spearheaded the charge to create International Clash Day in Tucson. Levin, who was a KEXP DJ for eight years and moved here in fall 2014, said her KEXP colleagues approached her about getting KXCI involved this year.

Cover of “Combat Rock,” released May 1982.

“Combat Rock,” released in 1982.

“It was a no-brainer. The Clash is one of KXCI’s ‘core artists’ – music that we already play quite regularly – and the spirit of the day is very much in line with the inclusive, creative culture of Tucson,” Levin explained. “Having had the mayor on my show, I knew he (Jonathan Rothschild) was a big music fan and would likely connect with the themes embodied in International Clash Day – peace, unity, anti-imperialism, anti-racism, poverty awareness and freedom of expression.

“Now more than ever, we need to be embracing a sense of a community that welcomes people from all walks of life and celebrates the type of fearless art that brings us together, rather than divides us,” Levin elucidated. “Music has a visceral power to do that which few other art forms have, so my hope is that in addition to enjoying an avalanche of invigorating Clash-related programming, we inspire listeners to become more deeply engaged with our community around issues of social justice and freedom of expression.”

For fans of The Clash, this will be a most welcome day, and it will be an awesome education for those who are not aware of the band’s amazing body of work. KXCI is celebrating on-air from 10 a.m. to 6 p.m. with special programming that was still being finalized as of Zocalo’s press time, but Levin shared that “listeners can expect to hear Clash classics, deep cuts, rarities, and archived interviews with The Clash. We are also working on interviews with members of Tucson’s music community who were/are influenced by The Clash and/or were in attendance at The Clash’s show at the Tucson Convention Center in 1983, which was the band’s penultimate show with Mick Jones (Howe Gelb snuck into this show!).”

Che’s Lounge, 350 N. 4th Ave., is the headquarters for Tucson’s International Clash Day with DJs spinning Clash tunes that night, along with showcasing a special Clash-themed visual art show – curated by bartender/local artist Donovan White – as well as hosting a record sale of The Clash’s catalogue by Wooden Tooth Records.

Why does it matter? Well, as John Richards shared, “I think one of the main things is, they knew how to write GREAT songs. They also were lightening in a bottle like all great bands, the perfect sound and the perfect players at the perfect time. That kind of magic doesn’t just disappear.”

“There is something singular about their creative focus that is timeless – comforting and galvanizing simultaneously,” Levin added. “Whenever I hear the opening chords of ‘Know Your Rights,’ I always feel ready to be both angry and productive, which is the flavor of punk rock that has always appealed to me the most.”

Get all the event details at KXCI.org. Reconnect with the band at TheClash.com.

The Clash in concert, 21 May 1980. From left to right: Joe Strummer (rhythm guitar), Mick Jones (lead guitar), Paul Simonon (bass guitar). Not pictured: Topper Headon (drums). Courtesy Chateau Neuf, Oslo, Norway via Commons.wikimedia.org

The Clash in concert, 21 May 1980. From left to right: Joe Strummer (rhythm guitar), Mick Jones (lead guitar), Paul Simonon (bass guitar). Not pictured: Topper Headon (drums).
Courtesy Chateau Neuf, Oslo, Norway via Commons.wikimedia.org

_______________________________

City of Tucson Mayoral Proclamation

WHEREAS, legendary U.K. band The Clash formed in 1976, establishing their unique sound combining punk with reggae, dub, funk, ska, and socially-conscious lyrics; and

WHEREAS, the band played the Tucson Convention Center in 1983, inspiring many Tucson musicians, including a young Howe Gelb, who formed Giant Sand that same year; and

WHEREAS, throughout their career, The Clash used the power of music to share messages of peace, unity, anti-imperialism, anti-racism, poverty awareness, and freedom of expression; and

COT sealWHEREAS, the City of Tucson encourages all citizens to take inspiration from these messages as we work together to create an inclusive, welcoming city; and

WHEREAS, the City of Tucson and the Mayor’s Office affirm that this city is a Hate Free Zone, committed to values of inclusivity, tolerance, diversity and hope; and

WHEREAS, Tucson takes great pride in its growing music community and the cultural contributions of its many musicians across a wide range of genres; and

WHEREAS, the civically-and globally-minded City of Tucson wishes to join with other like-minded cities across the globe in celebrating International Clash Day; and

WHEREAS, the City of Tucson adheres to the belief in the immortal words of Joe Strummer, “People can change anything they want to, and that means everything in the world;”

NOW, THEREFORE, I, Jonathan Rothschild, Mayor of the City of Tucson, Arizona due hereby proclaim February 7, 2017 to be

INTERNATIONAL CLASH DAY

in this community, and encourage all of our citizens to Rock the Casbah.

KXCI Focuses on the Future

April 1, 2015 |
Cathy Rivers, KXCI's new general manager, in the station's music library. photo: Amy Haskell

Cathy Rivers, KXCI’s new general manager, in the station’s music library.
photo: Amy Haskell

 

It’s mid-morning on a beautiful spring day in late March; I’ve got my car windows down while cruising downtown to KXCI, situated in the historic Armory Park neighborhood. I’m listening to Tucson’s community radio station en route, located on the left end of the dial at 91.3FM. Staff members are in full membership drive mode, pitching away with contagious enthusiasm.

“We’ve come a long way in 31 years,” says Traffic Director Melissa Mauzy through the air waves, and gives a brief overview of the station’s membership growth over the last three decades. “I predict, with the new (transmitter) tower, that we’ll have 4,000 members by 2020!” Currently, KXCI has close to 3,000 members.

Mauzy, who is in the broadcast studio with Membership Director Michelle Boulet-Stephenson, asks what the current drive has brought in so far. “We’re over $26,000,” replies Boulet-Stephenson, adding, “We need to see $28,000 in the rear view mirror!” The goal for this drive is $100,000 in ten days. At day three, on March 25, the station was on track to meet its fundraising mission.

I’m smiling as I look for a place to park, impressed by the ladies’ impassioned, intelligent delivery. As I walk up to the two-story brick building, built in 1904, I recall it was once a hotel/boarding house.

The place is abuzz with activity: phones are ringing, volunteers are answering the calls and donation pledges are being taken. Recently appointed General Manager Cathy Rivers is in the production studio, putting the finishing touches on a couple of station IDs recorded with local music luminaries Brian Lopez and Gabriel Sullivan. It takes a few minutes for us to get situated as Rivers is peppered with questions and updates from staff and volunteers. She handles it all with patient aplomb. While conducting an interview during pledge drive is not ideal, deadlines are what they are and we happily work with it.

After the station’s previous General Manager Randy Peterson stepped down to explore other professional opportunities this past December (he is now the Development Director for the Humane Society of Southern Arizona), KXCI’s Board of Directors – of which I am a member – asked Rivers, the station’s program director and The Home Stretch host, to serve as the interim general manager. Rivers’ performance over the last several months provided the board with the evidence it needed to appoint her as general manager and did so in a unanimous vote on March 19.

Katie Rogerson, KXCI’s board president said, “It was agreed that Cathy is the right person for the job and has the talent, expertise and passion to take KXCI to the next level. Just as important, KXCI is community radio and hiring someone from our own community just makes sense.”

Rivers’ career, primarily in Tucson, spans two decades and includes on air work in both commercial and community radio, along with band management, broadcast and music industry experience. A little known fact is that, in the ‘90s when she worked for Journal Broadcast Group, Rivers was the only female in the country to have a solo morning show on a station that was in the top 20 tier of the market. She’s also been a band tour manager and as a singer/songwriter/guitarist, she’s toured for her own music projects. As a well-known DJ, Rivers has a voice that is equal parts confident, soothing, engaging, inquisitive and sultry, which led her to garnering voice-over gigs.

Rivers’ resume isn’t something she immediately shares, one has to directly ask. Her main focus these days is ensuring the continuation of KXCI’s sound fiscal health, which includes monitoring the progress and completion of the “Amplify KXCI” capital campaign. They are close, and the team’s efforts have enabled the station to thus far raise almost $650,000 toward the $750,000 goal. In conjunction with KXCI’s entire staff, Community Engagement Director Amanda Shauger has been working with Deb Dale of Smith & Dale – the development consulting firm hired by the station – on this campaign.

KXCI“KXCI has never done anything of this fundraising magnitude before,” Shauger explains. “It is a symbol of KXCI’s maturation and moving to the next level. With it, we have an opportunity to plan for the future and stay relevant with both legacy media and new media.”

Some of the station’s objectives are to create avenues to advance both technologically and educationally. This all must be balanced with regular daily operations, managing the dedicated volunteers (which includes 70 volunteer DJs and hundreds of off-air volunteers); along with addressing listeners’ concerns and looking to connect with broader audiences and Tucson’s evolving demographics. As Rivers breaks down the listenership data provided by Arbitron-Nielsen, she shares that the majority of those tuning in – 30,000 weekly – are in the age range of 35 to 50.

“This is a really great family station. Not for kids necessarily, but for families; and one of the things that we don’t do at KXCI are family events.” Speaking with colleagues in the industry gave Rivers the idea to hold dances for families, offering “an opportunity for fathers to dance with daughters and moms to dance with sons.”

We get sidetracked when we see lunch being delivered by Culvers. During the drive, several local businesses have kept the staff and volunteers fed – Beyond Bread, Reforma, Diablo Burger, Tucson Tamale Company, 4th Avenue Deli, to name just a few. We stop to grab some food, and continue chatting while eating.

“For 31 years, KXCI has done a really great job of being a solid station; those who have come before me worked really hard to make it financially sound and worked very hard in getting some solid programming and solid programming concepts. The nice thing is I’m able to lead in a situation where we are in really good health. There are a lot of things that KXCI has not moved forward on where other radio stations are really now way ahead of us and the gap is just getting bigger and bigger. Until we acknowledge that gap and dig in and find out what’s really going on with KXCI, we can’t move the station further.”

Rivers explains that the gap lies in the constant evolution of technology; other stations have on-demand content and podcasts. KXCI is working toward doing those same things within the next several months. Digitizing content and looking at syndicating some of the station’s mini-programs, such as: Flicks, Growing Native, Arizona Trails, and The Weekly Green, is also on the to-do list.

The phone rings several times, Rivers answers it, “KXCI, may I take your pledge please? Oh, yes, let me get him.” She puts the caller on hold, grins and says, “It is ‘Wednesday Call Day,’ it’s for Duncan.” Wednesdays are the days when labels contact Music Director Duncan Hudson to ask if the station is playing their artists. A volunteer walks into her office to grab something off of the printer; a DJ pops her head in to say hi. While a bit distracting, the lively energy is uplifting.

Refocusing, Rivers addresses the broadcasting challenges. “We’re still working on the signal for KXCI. We now sound really great in the northwest and centrally, and we’re still having some issues in the south, we’re working on that. That is on the top of my priority list.”

The new tower was just installed last summer, so the process of working the problem continues to evolve. Shauger is working closely with Rivers and several engineers to find solutions.

Other goals include beefing up the station’s educational components by expanding its summer DJ classes to become year round and adding classes such as voice training, making live mixes and engineering. Having a solid education department will help with grants, a revenue stream they are looking to further mine.

As we wind up the interview, Rivers shares with passion how KXCI differs from commercial radio in the fact that KXCI is actually a part of the music business.

“Commercial radio has nothing to do with the music business. KXCI is a part of the music business because every CD that comes into KXCI gets listened to – whether it is from a 15-year-old down the street or it comes from Warner Bros. Records – every piece of music is given a chance.”

The phone rings again, and I take my cue. Rivers apologies, but it is unnecessary. It is a busy day, and her time needs to be focused on the station. As I leave, I say goodbye to Duncan and wave to Melissa and Michelle and say, “Take it easy!”

They wave back, and Melissa says, “We are, and we’re raising money too!”

Learn more about KXCI at KXCI.org, where the volunteer-produced shows are available for streaming. Listen on the FM dial at 91.3. Check out the website to explore volunteer opportunities, to donate online, and stay tuned for information on the upcoming DJ summer camps for youth.

Tesoro: Live in Studio 2A

July 2, 2011 |

TesoroCover webResistance is futile, the songs are too bewitching. The album, recorded at KXCI 91.3FM, consists of gorgeous notes adroitly composed and negotiated, sauntering from the enticing seduction of flamenco to jazz sensibilities. Tesoro calls it Flamenco Fusion. I dig that they fused in Tool’s “Forty-Six & 2” along with saluting Paco de Lucia, Chris Burton Jácome and Tito Puente.

It’s been over five years since Tesoro issued a disc, and the party takes place on July 9 from 8 p.m. to 11 p.m. at Sullivan’s Steakhouse & Bar, 1785 E. River Rd. Other summer dates include: July 13, 29, 30 at Casa Vicente, 340 S. Stone Ave.; July 22, August 20, 26 at Hacienda del Sol, 5601 N. Hacienda del Sol Rd.; August 27 at La Encantada, 2905 E. Skyline Dr.

TesoroTucson.com has all of the details.